{"id":149882,"date":"2026-03-09T00:27:00","date_gmt":"2026-03-09T04:27:00","guid":{"rendered":"https:\/\/panm360.com\/?post_type=agenda&#038;p=149882"},"modified":"2026-03-09T17:23:47","modified_gmt":"2026-03-09T21:23:47","slug":"le-vivier-lovemusic-protest-of-the-physical-semaine-du-neuf-a-la-chapelle-scenes-contemporaines","status":"publish","type":"agenda","link":"https:\/\/panm360.com\/en\/agenda\/le-vivier-lovemusic-protest-of-the-physical-semaine-du-neuf-a-la-chapelle-scenes-contemporaines\/","title":{"rendered":"Le Vivier \/ Semaine du  Neuf | lovemusic &#8211; Protest of the Physical, les mots de la direction artistique"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1005\" height=\"676\" src=\"https:\/\/panm360.com\/wp-content\/uploads\/2025\/03\/Jeffrey-Stonehouse-3.jpg\" alt=\"\" class=\"wp-image-133923\" style=\"aspect-ratio:1.4867139166093821;width:471px;height:auto\" srcset=\"https:\/\/panm360.com\/wp-content\/uploads\/2025\/03\/Jeffrey-Stonehouse-3.jpg 1005w, https:\/\/panm360.com\/wp-content\/uploads\/2025\/03\/Jeffrey-Stonehouse-3-768x517.jpg 768w\" sizes=\"auto, (max-width: 1005px) 100vw, 1005px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>D&#8217;abord quelques mots de Jeffrey Stonehouse, directeur artistique de la Semaine du Neuf:<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>&#8220;Love Music est un super ensemble de Strasbourg dont l&#8217;\u0153uvre pr\u00e9sent\u00e9e \u00e0 Montr\u00e9al est \u00a0 <em>Protest of the Physical<\/em>, une performance en quatre tableaux. Les corps des musiciens ne sont pas utilis\u00e9s exclusivement pour l&#8217;ex\u00e9cution instrumentale, mais sont compl\u00e8tement engag\u00e9s dans l&#8217;\u0153uvre. Il faut souligner ici que le geste\u00a0 influence l&#8217;\u00e9coute et la perception du geste influence l&#8217;\u00e9coute. Il y a vraiment une int\u00e9gration entre plusieurs disciplines dans ce spectacle. Je soulignerais sp\u00e9cifiquement, moi, une des pi\u00e8ces qui m&#8217;int\u00e9resse beaucoup, c&#8217;est le travail de Bethany Young.\u00a0 C\u2019est un ensemble relativement jeune en train de repousser les limites de l&#8217;exp\u00e9rience du concert traditionnel en musique contemporaine.&#8221;<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">lovemusic propose une performance musicale dans laquelle les corps des interpr\u00e8tes sont au c\u0153ur de l&#8217;exp\u00e9rience, devenant des \u00e9l\u00e9ments essentiels de la cr\u00e9ation sonore. Protest of the Physical est une performance en quatre tableaux. Les corps des musicien\u00b7ne\u00b7s n\u2019y sont pas simplement des v\u00e9hicules pour l&#8217;ex\u00e9cution instrumentale mais compl\u00e8tement engag\u00e9s dans une physicalit\u00e9 expressive. Ils sont \u00e0 la fois intrins\u00e8quement li\u00e9s \u00e0 la musique et \u00e0 ses exigences physiques, et servent de faire-valoir pour souligner la fa\u00e7on dont le geste fa\u00e7onne notre exp\u00e9rience d&#8217;\u00e9coute. En int\u00e9grant des artistes issus de diff\u00e9rentes disciplines au processus cr\u00e9atif, en repensant le r\u00f4le du public et en revendiquant le corps comme un puissant outil de communication, les interpr\u00e8tes du collectif affirment ainsi avec audace leur identit\u00e9 singuli\u00e8re de performeur\u00b7euse\u00b7s.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>Programmation<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">-Annette Schlunz,&nbsp;Anne-H\u00e9l\u00e8ne Kotoujansky:&nbsp;In die Ferne, dem Berg zu&nbsp;,&nbsp;<strong>2025<\/strong>&nbsp;(commande de lovemusic)&nbsp;pour&nbsp;pour fl\u00fbte, clarinette, violon, violoncelle, guitare \u00e9lectrique et gestes&nbsp;&nbsp;&#8211; cr\u00e9ation<br>-Nik Bohnenberger:&nbsp;hands, drum &#8211; three bones&nbsp;,&nbsp;<strong>2025<\/strong>&nbsp;(commande de la Philharmonie de Luxembourg pour lovemusic)&nbsp;pour&nbsp;pour fl\u00fbte, clarinette, violon, violoncelle, guitare \u00e9lectrique, \u00e9lectronique et vid\u00e9o&nbsp;&nbsp;&#8211; cr\u00e9ation<br>-Bethany Younge:&nbsp;Seeds&nbsp;,&nbsp;<strong>2025<\/strong>&nbsp;(commande de lovemusic)&nbsp;pour&nbsp;pour fl\u00fbte, clarinette, violon, violoncelle, guitare \u00e9lectrique&nbsp;&nbsp;&#8211; cr\u00e9ation<br>-Helmut Oehring:&nbsp;[i\u0271\u02c8f\u025brno] (extrait de : MAPPA) Contrapasso I \u2013 V (\u00e0 Wladimir Poutine \/ Sergej Lawrow)&nbsp;,&nbsp;<strong>2022<\/strong>&nbsp;(commande de lovemusic et le festival klangwerkstatt &#8211; Berlin)&nbsp;pour&nbsp;pour fl\u00fbte basse, clarinette basse, violoncelle, guitare \u00e9lectrique et bande&nbsp;&nbsp;&#8211; cr\u00e9ation<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n    <div class=\"panm-ads-wrapper alignfull\"><span class=\"panm-ads-copy\">Publicit\u00e9 panam<\/span><div class=\"panm-ads-render\" data-ads-id=\"151986\"><\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:30px\"><strong><a href=\"https:\/\/levivier.tuxedobillet.com\/levivier\/lovemusic-protest-of-the-physical\">POUR ACHETER VOTRE BILLET, C\u2019EST ICI!<\/a><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">First, a few words from Jeffrey Stonehouse, artistic director of Semaine du Neuf:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">&#8220;Love Music is a great ensemble from Strasbourg whose work presented in Montreal is Protest of the Physical, a performance in four scenes. The musicians&#8217; bodies are not used exclusively for instrumental performance, but are fully engaged in the work. It should be noted here that gesture influences listening, and perception of gesture influences listening. There is a real integration between several disciplines in this show. I would specifically highlight one of the pieces that interests me greatly, which is the work of Bethany Young. This is a relatively young ensemble that is pushing the boundaries of the traditional concert experience in contemporary music.&#8221;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">Translated with DeepL.com (free version)<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">lovemusic presents a musical performance in which the performers&#8217; bodies are at the heart of the experience, becoming essential elements of the sonic creation. Protest of the Physical is a performance in four tableaux. The musicians&#8217; bodies are not simply vehicles for instrumental execution but are completely engaged in an expressive physicality. They are both intrinsically linked to the music and its physical demands, and serve as a foil to emphasize the way gesture shapes our listening experience. By integrating artists from different disciplines into the creative process, by rethinking the role of the audience, and by asserting the body as a powerful tool of communication, the collective&#8217;s performers thus boldly affirm their singular identity as performers.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\"><strong>Program<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\" style=\"font-size:20px\">-Annette Schlunz,&nbsp;Anne-H\u00e9l\u00e8ne Kotoujansky:&nbsp;In die Ferne, dem Berg zu&nbsp;,&nbsp;<strong>2025<\/strong>&nbsp;(commissioned by lovemusic)&nbsp;for&nbsp;for flute, clarinet, violin, cello, electric guitar and gestures&nbsp;&nbsp;&#8211; premiere<br>-Nik Bohnenberger:&nbsp;hands, drum &#8211; three bones&nbsp;,&nbsp;<strong>2025<\/strong>&nbsp;(commissioned by the Philharmonie de Luxembourg for lovemusic)&nbsp;for&nbsp;or flute, clarinet, violin, cello, electric guitar, electronics and video&nbsp;&nbsp;&#8211; premiere<br>-Bethany Younge:&nbsp;Seeds&nbsp;,&nbsp;<strong>2025<\/strong>&nbsp;(commissioned by lovemusic)&nbsp;for&nbsp;for flute, clarinet, violin, cello, electric guitar&nbsp;&nbsp;&#8211; premiere<br>-Helmut Oehring:&nbsp;[i\u0271\u02c8f\u025brno] (extrait de : MAPPA) Contrapasso I \u2013 V (\u00e0 Wladimir Poutine \/ Sergej Lawrow)&nbsp;,&nbsp;<strong>2022<\/strong>&nbsp;(commissioned by lovemusic and the klangwerkstatt festival &#8211; Berlin)&nbsp;for&nbsp;for bass flute, bass clarinet, cello, electric guitar and tape&nbsp;&nbsp;&#8211; premiere<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><em>Ce contenu provient de Le Vivier et est adapt\u00e9 par PAN M 360<\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>D&#8217;abord quelques mots de Jeffrey Stonehouse, directeur artistique de la Semaine du Neuf: &#8220;Love Music est un super ensemble de Strasbourg dont l&#8217;\u0153uvre pr\u00e9sent\u00e9e \u00e0 Montr\u00e9al est \u00a0 Protest of the Physical, une performance en quatre tableaux. Les corps des musiciens ne sont pas utilis\u00e9s exclusivement pour l&#8217;ex\u00e9cution instrumentale, mais sont compl\u00e8tement engag\u00e9s dans l&#8217;\u0153uvre. [&hellip;]<\/p>\n","protected":false},"author":936,"featured_media":149881,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":true,"_crdt_document":""},"categories":[4322],"tags":[],"generale":[3814],"genre":[8215,8058],"pays":[3828],"salle":[8807],"ville":[7246],"class_list":["post-149882","agenda","type-agenda","status-publish","format-standard","has-post-thumbnail","hentry","category-listings-360","generale-lire-en","genre-creation-en","genre-experimental-contemporain-en","pays-canada-en","salle-la-chapelle-scenes-contemporaines-en","ville-montreal-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Le Vivier \/ Semaine du Neuf | lovemusic - Protest of the Physical, les mots de la direction artistique - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/agenda\/le-vivier-lovemusic-protest-of-the-physical-semaine-du-neuf-a-la-chapelle-scenes-contemporaines\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Le Vivier \/ Semaine du Neuf | lovemusic - Protest of the Physical, les mots de la direction artistique - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"D&#8217;abord quelques mots de Jeffrey Stonehouse, directeur artistique de la Semaine du Neuf: &#8220;Love Music est un super ensemble de Strasbourg dont l&#8217;\u0153uvre pr\u00e9sent\u00e9e \u00e0 Montr\u00e9al est \u00a0 Protest of the Physical, une performance en quatre tableaux. 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