{"id":149138,"date":"2026-02-08T00:37:00","date_gmt":"2026-02-08T05:37:00","guid":{"rendered":"https:\/\/panm360.com\/?post_type=agenda&p=149138"},"modified":"2026-02-23T13:19:31","modified_gmt":"2026-02-23T18:19:31","slug":"taverne-tour-protomartyr-yoo-doo-right-hot-garbage-alix-fernz-au-belmont","status":"publish","type":"agenda","link":"https:\/\/panm360.com\/en\/agenda\/taverne-tour-protomartyr-yoo-doo-right-hot-garbage-alix-fernz-au-belmont\/","title":{"rendered":"Taverne Tour : Protomartyr + Yoo Doo Right + Hot Garbage + Alix Fernz au Belmont"},"content":{"rendered":"\n

Alix Fernz<\/strong> (20h)<\/strong><\/p>\n\n\n\n

Rugueuses, contrast\u00e9es et labyrinthiques, les pi\u00e8ces d\u2019Alix Fernz s\u2019engagent dans l\u2019enclave scal\u00e8ne du post-punk tout en flirtant avec la pop hypnagogique, cr\u00e9ant un hybride lo-fi entre synthwave et rock alternatif, sur lequel se greffent des m\u00e9lodies accrocheuses mais d\u00e9natur\u00e9es. \u00ab Man\u0153uvrant des riffs satur\u00e9s et la qu\u00eate assum\u00e9e d’un son brut, Alix Fernz cr\u00e9e une musique impr\u00e9gn\u00e9e d’un esprit DIY r\u00e9solument marginal. \u00bb (The Line of Best Fit)<\/p>\n\n\n\n

Scratchy, contrasting and labyrinthine, songs from Alix Fernz venture deep into post-punk\u2019s scalene enclave, also flirting with hypnagogic pop, resulting in a lo-fi hybrid between synthwave and alternative rock, topped with catchy yet kooky melodies. \u201cTrading in fuzzed-out riffs and the unapologetic pursuit of raw sound, Alix Fernz is making music shot through with a DIY outsider spirit.\u201d (The Line of Best Fit)<\/p>\n\n\n\n

Hot Garbage<\/strong> (21h)<\/strong><\/p>\n\n\n\n

Hot Garbage se fond dans un amalgame d\u2019\u00e9l\u00e9ments sonores hautement volatil, mais ind\u00e9niablement accessible. Puisant dans les rythmes moteurs du post-punk sombre et du krautrock motorik, la formation torontoise int\u00e8gre avec fluidit\u00e9 des m\u00e9lodies lumineuses et des textures tourbillonnantes \u00e0 des arrangements d\u00e9lib\u00e9r\u00e9s et introspectifs. Depuis sa formation en 2015, le quatuor a largement tourn\u00e9 \u00e0 travers le Canada, les \u00c9tats-Unis, l\u2019Europe et le Royaume-Uni, pr\u00e9sentant ses performances live intenses dans des festivals tels que Levitation, Freakout Fest, Treefort, SXSW, Sled Island, FME, M pour Montr\u00e9al et Pop Montr\u00e9al, et partageant la sc\u00e8ne avec des artistes notables comme Osees, Ty Segall, L.A. Witch, Frankie and the Witch Fingers, JJUUJJUU, Mdou Moctar, Wand et Kikagaku Moyo. Le groupe est r\u00e9cemment revenu avec Precious Dream (paru le 19 janvier 2024 via Mothland et Exag\u2019 Records), une vaste collection de chansons \u00e9crites en isolement et rassembl\u00e9es aux c\u00f4t\u00e9s du producteur visionnaire Graham Walsh (METZ, Preoccupations, Holy Fuck, !!!), offrant un souffle nouveau et exaltant au post-punk et \u00e0 la psych\u00e9d\u00e9lie moderne, une exp\u00e9rience d\u2019\u00e9coute \u00e0 la fois cathartique et introspective.<\/p>\n\n\n\n

Hot Garbage melt into a heavily volatile yet undeniably palatable amalgamation of sonic elements. Calling on the driving rhythms of dark post-punk and motorik krautrock, the Toronto-based outfit seamlessly works shining melodies and swirling textures into deliberate, brooding arrangements. Since forming in 2015, the four-piece have toured extensively throughout Canada, the United States, Europe and the United Kingdom, bringing their intense live sets to festivals such as Levitation, Freakout Fest, Treefort, SXSW, Sled Island, FME, M for Montreal and Pop Montreal, and sharing the stage with notable acts such as Osees, Ty Segall, L.A. Witch, Frankie and the Witch Fingers, JJUUJJUU, Mdou Moctar, Wand and Kikagaku Moyo. The quartet recently returned with Precious Dream (January 19, 2024 via Mothland & Exag\u2019 Records), a sprawling collection of songs written in isolation and brought together alongside visionary producer Graham Walsh (METZ, Preoccupations, Holy Fuck, !!!), offering an exhilarating new breath into the world of post-punk and modern psychedelia, a listening experience that is equally cathartic and introspective.<\/p>\n\n\n\n

Yoo Doo Right (22h)<\/strong><\/p>\n\n\n\n

La formation de rock exp\u00e9rimental Yoo Doo Right (Montr\u00e9al, CA) marie guitares m\u00e9lodiques et bruyantes, trames de synth\u00e9tiseurs trafiqu\u00e9s, lignes de basse \u00e9toff\u00e9es et d\u00e9cha\u00eenements percussifs calcul\u00e9s, rendant des pi\u00e8ces tentaculaires et cathartiques. Puisant inspiration non seulement du post-rock, du krautrock et du shoegaze, de la musique classique et concr\u00e8te, comme de l\u2019\u00e9lectroacoustique, elle cr\u00e9e un son unique d\u00e9voilant \u00ab des gigantesques monoliths de riffs rugissants qui se brisent contre des essaims de rythmes turbulents \u00bb (PopMatters).<\/p>\n\n\n\n

Experimental rock outfit Yoo Doo Right (Montr\u00e9al, CA) wed noisy, melodic guitar parts, effects-laden synthesizer soundscapes, deep bass grooves and patented percussive furies into sprawling, cathartic musical pieces. Drawing inspiration from post-rock, krautrock, shoegaze, classical music, electroacoustics, and musique concr\u00e8te, they create a unique sound where \u201ctowering monoliths of roaring riffs crash against swarms of restless rhythms\u201d (Pop Matters).<\/p>\n\n\n\n

Protomartyr<\/strong> (23h)<\/strong><\/p>\n\n\n\n

Depuis leurs d\u00e9buts en 2012 avec No Passion All Technique, le groupe post-punk de Detroit Protomartyr a ma\u00eetris\u00e9 l\u2019art d\u2019\u00e9voquer un lieu : l\u2019humilit\u00e9 abrasive du Midwest propre \u00e0 leur ville natale, ainsi que la lecture radiographi\u00e9e de l\u2019Am\u00e9rique qu\u2019offre leur point de vue. Protomartyr \u2014 Joe Casey au chant, Greg Ahee \u00e0 la guitare, Alex Leonard \u00e0 la batterie et Scott Davidson \u00e0 la basse \u2014 est devenu synonyme d\u2019assemblages caustiques et impressionnistes o\u00f9 se m\u00ealent politique et po\u00e9sie, le litt\u00e9ral et l\u2019oblique.<\/p>\n\n\n\n

Since their 2012 debut No Passion All Technique, the Detroit post-punk band Protomartyr have mastered the art of evoking place: the grinding Midwest humility of their hometown, as well as the x-rayed elucidation of America that comes with their vantage. Protomartyr\u2014vocalist Joe Casey, guitarist Greg Ahee, drummer Alex Leonard, and bassist Scott Davidson\u2014have become synonymous with caustic, impressionistic assemblages of politics and poetry, the literal and oblique.<\/p>\n\n\n\n

POUR ACHETER VOTRE BILLET, C\u2019EST ICI!<\/a><\/strong><\/p>\n\n\n\n