Le duo Corporation (Racine, Keru Not Ever) ouvrira les festivit\u00e9s en pr\u00e9sentant une musique dance et \u00e9lectronique m\u00ealant collages plunderphoniques et sampling \u00e9toff\u00e9. William Hayes-Dulude les accompagnera avec des visuels cr\u00e9\u00e9s sp\u00e9cialement pour l\u2019occasion. Le clou de la soir\u00e9e, Andy Stott, vous fera planer sur ses instrumentations dub-techno vaporeuses, lentes et percutantes, o\u00f9 kicks puissants guident le public \u00e0 travers brouillard et voix hypnotiques.
Attendez-vous \u00e0 une nuit atmosph\u00e9rique remplie de surprises.<\/p>\n\n\n\n
Starting the ceremonies is the duo Corporation (Racine, Keru Not Ever), presenting electronic\/dance music with plunderphonic collage, and deep sample research. To top it off, William Hayes-Dulude will accompany them on visuals with a bespoke piece. Crown jewel of the night \u2013 Andy Stott \u2013 will present his vaporous instrumentations, where steady kicks guide the audience through haze and hypnotic vocals, shaping them into his famous slow dub-techno bangers.
A night promising a deep hypnotic atmosphere and surprising twists.<\/p>\n\n\n\n
Andy Stott<\/strong><\/p>\n\n\n\n Andy Stott, n\u00e9 \u00e0 Oldham et bas\u00e9 dans la r\u00e9gion de Manchester, est un producteur britannique dont la carri\u00e8re a \u00e9volu\u00e9 de mani\u00e8re constante depuis ses d\u00e9buts au milieu des ann\u00e9es 2000. Ancien \u00e9l\u00e8ve de piano, il s\u2019est tourn\u00e9 vers le sound design et a commenc\u00e9 \u00e0 sortir de la musique sous le label Modern Love en 2005. Ses premi\u00e8res exp\u00e9rimentations en dub techno ont abouti \u00e0 son premier album Merciless (2006), avant qu\u2019il n\u2019adopte des sonorit\u00e9s plus sombres et exp\u00e9rimentales sur Passed Me By et We Stay Together (2011). Ses \u0153uvres ult\u00e9rieures, dont Luxury Problems (2012) et Never the Right Time (2021), mettent en avant ses collaborations avec Skidmore et son style atmosph\u00e9rique unique.<\/p>\n\n\n\n Andy Stott, born in Oldham and based around Manchester, is a British producer whose career has steadily evolved since his debut in the mid-2000s. A former piano student, he shifted to sound design and began releasing music with the Modern Love label in 2005. His early dub techno experiments culminated in his first album Merciless (2006), before he embraced darker, more experimental sounds on Passed Me By and We Stay Together (2011). Later works, including Luxury Problems (2012) and Never the Right Time (2021), showcase hiscollaborations with Skidmore and his uniquely atmospheric style.<\/p>\n\n\n\n Corporation<\/strong><\/p>\n\n\n\n Le duo Corporation, form\u00e9 par Racine (Julien Racine) et Keru Not Ever (Justin Leduc-Frenette), associe depuis plusieurs ann\u00e9es la musique \u00e9lectronique contemporaine aux pratiques brutes de l’\u00e9lectroacoustique et de la musique plunderphonique. Ce processus \u2013 comme en t\u00e9moignent leur premier album, Graffito (2019 [Genot Centre]) et leur deuxi\u00e8me, Tableaux du doute (tbr – 2025 [Danse Noire]) \u2013 r\u00e9sulte en une musique hallucinatoire fond\u00e9e sur le collage, la superposition, la r\u00e9p\u00e9tition, la synth\u00e8se et l’enregistrement sur le terrain, compos\u00e9e comme un th\u00e9\u00e2tre acousmatique d’artefacts sonores sans acteurs.<\/p>\n\n\n\n The duo Corporation, formed by Racine (Julien Racine) and Keru Not Ever (Justin Leduc-Frenette), have been linking contemporary electronic music with the brute practices of electro-acoustic and plunderphonic music for several years. This – as patent in their debut album, Graffito (2019 [Genot Centre]) as in their sophomore, Tableaux du doute (tbr – 2025 [Danse Noire]) – results in hallucinatory music based on collage, superposition, repetition, synthesis and field-recording. It is composed as an acousmatic theater of sound artifacts without actors.<\/p>\n\n\n\n POUR ACHETER VOTRE BILLET, C\u2019EST ICI!<\/a><\/strong><\/p>\n\n\n\n