{"id":145820,"date":"2025-10-06T00:07:00","date_gmt":"2025-10-06T04:07:00","guid":{"rendered":"https:\/\/panm360.com\/?post_type=agenda&p=145820"},"modified":"2025-10-06T20:20:30","modified_gmt":"2025-10-07T00:20:30","slug":"festival-flux-sisso-maiko-nadah-el-shazly-sense-fracture-a-la-sat","status":"publish","type":"agenda","link":"https:\/\/panm360.com\/en\/agenda\/festival-flux-sisso-maiko-nadah-el-shazly-sense-fracture-a-la-sat\/","title":{"rendered":"Festival Flux : Sisso & Maiko + Nadah El Shazly + Sense Fracture \u00e0 la SAT"},"content":{"rendered":"\n

Sisso & Maiko<\/strong><\/p>\n\n\n\n

Les productions de\u00a0<\/strong>Sisso & Maiko\u00a0incarnent parfaitement le \u00ab\u00a0scenius\u00a0\u00bb hyperlocal du singeli, distillant la vitalit\u00e9 et les difficult\u00e9s de la vie en marge de la ville la plus peupl\u00e9e du monde swahili dans une musique unique qui semble refl\u00e9ter l\u2019id\u00e9e de garder la t\u00eate froide dans des situations fr\u00e9n\u00e9tiques. Entre leurs rythmes ratchet et leurs m\u00e9lodies aigu\u00ebs, il y a une tension sublime et irr\u00e9solue, o\u00f9 la musique semble s\u2019acc\u00e9l\u00e9rer si vite que les danseurs glissent, maintenant un effet \u00ab ascendant \u00bb \u00e0 couper le souffle qui rappelle \u00e9trangement le happy hardcore britannique du milieu des ann\u00e9es 90, autant que le footwork de Chicago, la soca carib\u00e9enne et le disco shangaan, mais avec un attrait psychotomim\u00e9tique qui lui est propre.
N\u00e9 dans les quartiers populaires tentaculaires de Tandale et Manzese, Singeli se caract\u00e9rise par des boucles fr\u00e9n\u00e9tiques et rapides qui s\u2019entrem\u00ealent, avec des influences allant de la musique tarab de Zanzibar \u00e0 l\u2019afro-house sud-africaine, associ\u00e9es \u00e0 des MC qui crachent souvent des paroles satiriques sur les d\u00e9fis auxquels sont confront\u00e9s les jeunes Tanzaniens, de la corruption polici\u00e8re aux complications des relations amoureuses quand on est fauch\u00e9. S\u2019il y a un studio qui se d\u00e9marque parmi les centaines qui pars\u00e8ment le paysage musical de Dar es Salaam, c\u2019est bien SISSO RECORDS. Autour des producteurs Bwax, Sisso, Bampa Pana et Jay Mitta et des MC Dogo Niga, Kadilida, Anti Vairas et Makavelli, ils ont \u00e9t\u00e9 les pionniers du son Singeli.<\/p>\n\n\n\n

Sisso & Maiko\u2018s productions epitomize Singeli\u2019s hyperlocal \u201cscenius\u201d, distilling the vitality and struggle of life of the fringes of the Swahili-speaking world\u2019s most populous city, into a unique music which seems to reflect the idea of keeping a cool head in frenetic situations. Between their ratchet rhythms and pitched-up melodies there\u2019s a sublime, unresolved tension at play, where the music feels to accelerate so fast that dancers are gliding, sustaining a breathlessly \u201cup\u201d effect that uncannily recalls mid \u201990s UK happy hardcore as much as Chicago footwork, Caribbean Soca, and Shangaan disco, yet with a psychotomimetic appeal all of its own.
Born in the sprawling working class neighborhoods of Tandale and Manzese, Singeli\u2019s signature sound consists of fast paced frantic loops interlocking with each other, with influences from Zanzibar\u2019s Tarab music all the way to South African afro-house coupled with mc\u2019s who often spit satirical lyrics about the challenges facing Tanzania\u2019s youth, from police corruption to the complications of dating girls when you are broke. If there is one studio that stands out amongst the hundreds that dot Dar es Salaam\u2019s musical landscape it is SISSO RECORDS. Centered around producers; Bwax, Sisso, Bampa Pana and Jay Mitta and MC\u2019s Dogo Niga, Kadilida, Anti Vairas and Makavelli, they were early pioneers of the Singeli sound.<\/p>\n\n\n\n

Nadah El Shazly<\/strong>\u00a0<\/p>\n\n\n\n

N\u00e9e et \u00e9lev\u00e9e au Caire,\u00a0Nadah El Shazly\u00a0a commenc\u00e9 son parcours musical en tant que membre de Sick Gdrch, un groupe reprenant les morceaux des Misfits, avant de se lancer dans la production et la composition \u00e9lectroniques. Son premier album, \u00ab Ahwar \u00bb, sorti en 2017, a \u00e9t\u00e9 salu\u00e9 dans le monde entier pour son m\u00e9lange d\u2019h\u00e9ritage et d\u2019innovation, et a fait de Nadah une figure de proue du paysage musical contemporain. Elle a fait la couverture du magazine The Wire en 2018 dans un num\u00e9ro annon\u00e7ant la \u00ab nouvelle vague du Caire \u00bb.
Les performances live d\u2019El Shazly sont tout aussi captivantes, combinant sa voix envo\u00fbtante avec une manipulation sonore complexe et des collaborations dynamiques avec d\u2019autres musiciens. Elle a travaill\u00e9 avec une foule d\u2019innovateurs, dont Sam Shalabi, Elvin Brandhi, Maurice Louca et bien d\u2019autres. Elle s\u2019est produite sur les sc\u00e8nes de prestigieuses salles et festivals \u00e0 travers le monde, notamment Irtijal,
Le Guess Who?, Rewire, Best Kept Secret, FIMAV, Roskilde, Copenhagen Jazz Festival, Nusasonic et Marfa Myths. Au-del\u00e0 de son travail solo, Nadah contribue activement \u00e0 la sc\u00e8ne musicale ind\u00e9pendante du Caire, en soutenant les artistes \u00e9mergents et en s\u2019engageant dans des projets interdisciplinaires.<\/p>\n\n\n\n

Born and raised in Cairo,\u00a0Nadah El Shazly\u00a0began her musical journey as a member of Sick Gdrch, a Misfits cover band, before venturing into electronic production and composition. Her debut album, 2017\u2019s \u2018Ahwar\u2019, earned global praise for its merging of heritage and innovation, and established Nadah as a leading figure in the contemporary music landscape. She appeared on the cover of The Wire in 2018 in an issue announcing \u201cCairo\u2019s New Wave.\u201d
El Shazly\u2019s live performances are equally immersive, combining her enthralling voice with intricate sound manipulation and dynamic collaborations with other musicians. She has worked with a host of innovators including Sam Shalabi, Elvin Brandhi, Maurice Louca, and many more. She\u2019s graced stages at prestigious venues and festivals worldwide, including Irtijal, Le Guess Who?, Rewire, Best Kept Secret, FIMAV, Roskilde, Copenhagen Jazz Festival, Nusasonic, and Marfa Myths. Beyond her solo work, Nadah is an active contributor to Cairo\u2019s independent music scene, supporting emerging artists and engaging in cross-disciplinary projects.<\/p>\n\n\n\n

Sense Fracture<\/strong><\/p>\n\n\n\n

Originaire de Milan, en Italie, F. Birsa Alessandri, alias\u00a0Sense Fracture, est \u00e0 la fois une force disruptive et constructive. DJ, producteur de musique, directeur de label et promoteur, il s\u2019est lanc\u00e9 dans la musique avec l\u2019intention de remettre en question les normes \u00e9tablies, de provoquer et de bouleverser les codes. Son travail traverse les franges les plus radicales de la culture rave et de l\u2019\u00e9lectronique exp\u00e9rimentale, auxquelles il injecte des touches de heavy metal num\u00e9ris\u00e9, de sound design agressif, de pop spatiale et de m\u00e9diterran\u00e9en \u00e9trange. Un m\u00e9lange qui a valu \u00e0 ses DJ sets une r\u00e9putation d\u2019intensit\u00e9 et d\u2019impr\u00e9visibilit\u00e9. En tant que cofondateur de Haunter Records, membre du collectif Paimonia et curateur de la s\u00e9rie rave phare Dance Affliction, il a pass\u00e9 plus de 15 ans \u00e0 nourrir la sc\u00e8ne underground milanaise de choses \u00e9tranges, une pratique forg\u00e9e par des ann\u00e9es de militantisme au sein du collectif Saturnalia dans le c\u00e9l\u00e8bre squat\/lieu MACAO. Leurs recherches sonores actuelles se concentrent sur la transformation des danses traditionnelles du sud de l\u2019Italie en musique dance contemporaine aux contours anguleux, dans le but de s\u2019\u00e9carter des trajectoires rave standardis\u00e9es.<\/p>\n\n\n\n

Hailing from Milan, Italy, F. Birsa Alessandri AKA\u00a0Sense Fracture\u00a0is both a disruptive and constructive force. A DJ, music producer, labelhead and promoter, they started doing music with the intent to question established norms, provoke and overturn. Their work traverses the most radical fringes of rave culture and experimental electronics, injecting them with bits of digitised heavy metal, harsh sound design, spaced-out pop and weird Mediterranea. A mixture that gave their DJ sets a reputation for intensity and unpredictability. As co-founder of Haunter Records, part of the Paimonia crew and curator of seminal rave series Dance Affliction, they spent more than 15 feeding weird things to the Milan underground, a practice forged through years of militancy in the Saturnalia collective at infamous squat\/venue MACAO. Their current sonic research is focused channeling traditional dances of the southern Italian continuum into hard-edged contemporary dance music, aiming at a deviation of standardized rave trajectories.<\/p>\n\n\n\n

POUR ACHETER VOTRE BILLET, C\u2019EST ICI!<\/a><\/strong><\/p>\n\n\n\n