{"id":145808,"date":"2025-10-05T00:16:00","date_gmt":"2025-10-05T04:16:00","guid":{"rendered":"https:\/\/panm360.com\/?post_type=agenda&p=145808"},"modified":"2025-10-05T17:46:05","modified_gmt":"2025-10-05T21:46:05","slug":"festival-flux-camila-nebbia-pablo-jimenez-antoine-letourneau-berger-eduardo-cossio-jen-yakamovich-roxanne-nesbitt-a-la-casa-del-popolo","status":"publish","type":"agenda","link":"https:\/\/panm360.com\/en\/agenda\/festival-flux-camila-nebbia-pablo-jimenez-antoine-letourneau-berger-eduardo-cossio-jen-yakamovich-roxanne-nesbitt-a-la-casa-del-popolo\/","title":{"rendered":"Festival Flux : Camila Nebbia \/ Pablo Jim\u00e9nez \/ Antoine L\u00e9tourneau-Berger+ Eduardo Cossio + Jen Yakamovich\/Roxanne Nesbitt \u00e0 la Casa del Popolo"},"content":{"rendered":"\n

Camila Nebbia<\/strong><\/p>\n\n\n\n

Camila Nebbia\u00a0(saxophone t\u00e9nor), originaire de Buenos Aires et install\u00e9e \u00e0 Berlin, est saxophoniste, compositrice, improvisatrice, artiste visuelle et commissaire d\u2019exposition. D\u00e9crite par le magazine Jazz PT comme \u00ab une saxophoniste essentielle de notre \u00e9poque \u00bb. L\u2019artiste pluridisciplinaire fonde sa pratique sur la cr\u00e9ation et la destruction de la m\u00e9moire archivistique, explorant les concepts d\u2019identit\u00e9, de migration et de m\u00e9moire \u00e0 travers son travail. Son dernier album solo \u2013 \u00ab una ofrenda a la ausencia \u00bb (une offrande \u00e0 l\u2019absence) sur Relative Pitch Records \u2013 a \u00e9t\u00e9 d\u00e9crit par le NYC Jazz Record comme un \u00ab album intrins\u00e8quement humain et personnel, qui surprend les auditeurs par son approche passionn\u00e9e du jazz \u00bb.<\/p>\n\n\n\n

Camila Nebbia\u00a0(tenor saxophone) from Buenos Aires, based in Berlin, is a saxophone player, composer, improviser, visual artist and curator. Described by Jazz PT magazine as \u201can essential saxophonist of our time\u201d. The multidisciplinary artist layers her practice through the creation and destruction of archival memory, exploring the concepts of identity, migration, and memory. Her work includes improvised and composed music, film creation, and audiovisual performances, forming a constellation of interconnected practices. Her most recent solo album \u2013\u2019una ofrenda a la ausencia\u2019 (an offering to absence) with Relative Pitch Records\u2013 was described by the NYC Jazz Record as an \u2018innately human and personal album, surprising listeners with a passionate approach to jazz\u2019.<\/p>\n\n\n\n

Pablo Jim\u00e9nez<\/strong><\/p>\n\n\n\n

Pablo Jim\u00e9nez\u00a0est contrebassiste et compositeur n\u00e9 \u00e0 Bogota et \u00e9tabli \u00e0 Montr\u00e9al. Utilisant l\u2019improvisation comme moteur cr\u00e9atif profond, son travail cherche \u00e0 \u00e9tablir un langage musical rigoureux bas\u00e9 sur le mouvement. Il collabore souvent avec des ensembles et des musiciens de la sc\u00e8ne des musiques actuelles et contemporaines au Qu\u00e9bec et au Canada, dont l\u2019Ensemble SuperMusique, Malcolm Goldstein, Lori Freedman et Scott Thomson. Il s\u2019est produit et a particip\u00e9 \u00e0 des festivals tels que le Festival International de Musique Actuelle de Victoriaville, Suoni per il Popolo, et les Darmst\u00e4dter Ferienkurse, o\u00f9 il a \u00e9tudi\u00e9 avec Anthony Braxton et interpr\u00e9t\u00e9 sa musique.<\/p>\n\n\n\n

Pablo Jim\u00e9nez\u00a0is a double bassist and composer born in Bogota and based in Montreal. Using improvisation as a profound creative force, his work seeks to establish a rigorous musical language based on movement. He often collaborates with ensembles and musicians from the contemporary music scene in Quebec and Canada, including Ensemble SuperMusique, Malcolm Goldstein, Lori Freedman, and Scott Thomson. He has performed and participated in festivals such as the Festival International de Musique Actuelle de Victoriaville, Suoni per il Popolo, and the Darmst\u00e4dter Ferienkurse, where he studied with Anthony Braxton and performed his music.<\/p>\n\n\n\n

Antoine L\u00e9tourneau-Berger<\/strong><\/p>\n\n\n\n

Antoine L\u00e9tourneau-Berger\u00a0(percussion) est un compositeur multi-instrumentiste originaire du Bas-Saint-Laurent. Percussionniste classique de formation, il poursuit ses \u00e9tudes en composition de musique de film et d\u00e9veloppe un int\u00e9r\u00eat marqu\u00e9 pour la production sonore. Il porte selon l\u2019occasion les chapeaux de r\u00e9alisateur d\u2019album, compositeur, concepteur et mixeur sonore autant que celui de musicien professionnel et improvisateur. Antoine est un touche \u00e0 tout qui est aussi \u00e0 l\u2019aise avec les musiques exp\u00e9rimentales d\u2019avant-garde que la chanson folk, le rock, le jazz ou encore les musiques \u00e9lectroniques. Il fait notamment partie des formations Talfast, Equse, Bascaille, Manta et GGRIL, en plus d\u2019avoir produit 6 albums solo sous le nom de L\u2019Oeil et le Monocle. De retour \u00e0 Rimouski depuis 2014, il compose r\u00e9guli\u00e8rement pour le th\u00e9\u00e2tre, le cin\u00e9ma, la t\u00e9l\u00e9vision, le cirque et la radio.<\/p>\n\n\n\n

Antoine L\u00e9tourneau-Berger\u00a0(percussion) is a multi-instrumentalist composer from the Bas-Saint-Laurent region. Trained as a classical percussionist, he continued his studies in film music composition and developed a keen interest in sound production. Depending on the occasion, he wears the hats of album producer, composer, sound designer, and mixer, as well as professional musician and improviser. Antoine is a jack of all trades who is equally comfortable with avant-garde experimental music, folk, rock, jazz, and electronic music. He is a member of the bands Talfast, Equse, Bascaille, Manta, and GGRIL, and has produced six solo albums under the name L\u2019Oeil et le Monocle. Back in Rimouski since 2014, he regularly composes for theater, film, television, circus, and radio.<\/p>\n\n\n\n

Eduardo Cossio<\/strong><\/strong><\/p>\n\n\n\n

Eduardo Cossio\u00a0(cithares pr\u00e9par\u00e9es et \u00e9lectronique) est un musicien et artiste visuel p\u00e9ruvien-australien bas\u00e9 \u00e0 Boorloo (Perth, Australie occidentale). Sa musique s\u2019inspire de la composition \u00e9lectroacoustique et exp\u00e9rimentale, et il se produit g\u00e9n\u00e9ralement avec des cithares, des harmonicas et des instruments \u00e9lectroniques. Eduardo s\u2019est produit dans toute l\u2019Australie, en Europe et \u00e0 Ta\u00efwan. Il a collabor\u00e9 \u00e9troitement avec Annette Krebs, Axel D\u00f6rner, Sabine Vogel, Alice Hui Shen Chang et Jim Denley. Il est \u00e9galement un organisateur prolifique, animateur de radio et \u00e9crivain. Son travail en art visuel a fait l\u2019objet de trois expositions individuelles.<\/p>\n\n\n\n

Eduardo Cossio\u00a0(prepared zithers and electronics) is a Peruvian-Australian musician and visual artist based in Boorloo (Perth, Western Australia). His music draws from electro-acoustic and experimental composition, usually performing with zithers, harmonica and electronics. Eduardo has performed widely across Australia, Europe, and Taiwan. He has collaborated closely with Annette Krebs, Axel D\u00f6rner, Sabine Vogel, Alice Hui Shen Chang, and Jim Denley. He is also prolific organiser, radio broadcaster, and writer. His visual art has been the subject of three solo exhibitions.<\/p>\n\n\n\n

Jen Yakamovich<\/strong><\/strong><\/p>\n\n\n\n

Jen Yakamovich\u00a0est une batteuse et improvisatrice bas\u00e9e \u00e0 Vancouver qui travaille dans plusieurs disciplines en tant qu\u2019interpr\u00e8te, compositrice, chercheuse et \u00e9ducatrice. Elle consid\u00e8re sa relation avec la batterie, un syst\u00e8me de sons et de parties interd\u00e9pendantes, comme une exploration des relations entre son propre syst\u00e8me interne et des r\u00e9seaux socio-\u00e9cologiques plus larges. Son approche de l\u2019improvisation et de la composition spontan\u00e9e trouve ses racines dans le Creative Music Workshop de Halifax, en Nouvelle-\u00c9cosse, o\u00f9 Yakamovich a grandi. De 2024 \u00e0 2025, Yakamovich a \u00e9tudi\u00e9 avec la percussionniste, compositrice et preneuse de son Susie Ibarra (New York\/Berlin).
Au cours de l\u2019ann\u00e9e \u00e9coul\u00e9e, Yakamovich a travaill\u00e9 avec le programme DAAD Artists-in-Berlin \/ bauhaus Campus Stadt Nature, Now Society\u2019s 8east, Vancouver Coastal Jazz, Active Passive Performance Society, The Only Animal et grunt gallery. Elle a r\u00e9cemment contribu\u00e9 \u00e0 des projets avec le percussionniste Adrian Avenda\u00f1o (Vancouver), les artistes Roxanne Nesbitt et Ben Brown (Montr\u00e9al), le guitariste Sam Wilson (Halifax), l\u2019artiste psych\u00e9d\u00e9lique persan Niloo (Victoria), le groupe d\u2019art rock Heaven For Real (Montr\u00e9al), le producteur Miguel Maravilla (Vancouver), les improvisateurs Mustafa Rafiq (Edmonton) et Jairus Sharif (Calgary) pour Active Passive, et le groupe folk balkanique Fetele Din Balkani (Vancouver). Elle se produit r\u00e9guli\u00e8rement avec l\u2019artiste pop exp\u00e9rimental Wallgrin (Vancouver) et a r\u00e9cemment form\u00e9 le duo d\u2019improvisation Notice Flower avec la pianiste Bahar Khazei. Elle m\u00e8ne \u00e9galement un projet folk exp\u00e9rimental en solo intitul\u00e9 Troll Dolly.
Yakamovich souffre d\u2019une d\u00e9ficience visuelle progressive appel\u00e9e r\u00e9tinite pigmentaire. Elle est titulaire d\u2019une ma\u00eetrise en \u00e9tudes environnementales de l\u2019universit\u00e9 Dalhousie.<\/p>\n\n\n\n

Jen Yakamovich\u00a0is a Vancouver-based drummer and improviser who works across disciplines as a performer, composer, researcher, and educator. She sees her relationship with the drum set\u2014a system of interrelating sounds and parts\u2014 as an inquiry into relationships with both her own internal system and wider socioecological webs. Her approach to improvisation and spontaneous composition is rooted in the Creative Music Workshop in Halifax, NS, where Yakamovich grew up. From 2024-2025 Yakamovich studied with drummer, composer & field recordist Susie Ibarra (New York\/Berlin).
Over the past year Yakamovich has worked with the DAAD Artists-in-Berlin \/ bauhaus Campus Stadt Nature program, Now Society\u2019s 8east, Vancouver Coastal Jazz, Active Passive Performance Society, The Only Animal, and grunt gallery. She has recently contributed to projects with percussionist Adrian Avenda\u00f1o (Vancouver), artists Roxanne Nesbitt & Ben Brown (Montr\u00e9al), guitarist Sam Wilson (Halifax), Persian psych artist Niloo (Victoria), art rock group Heaven For Real (Montr\u00e9al), producer Miguel Maravilla (Vancouver), improvisers Mustafa Rafiq (Edmonton) & Jairus Sharif (Calgary) for Active Passive, and Balkan folk group Fetele Din Balkani (Vancouver). She regularly performs with experimental pop artist Wallgrin (Vancouver), and recently formed the improvisation duo Notice Flower with pianist Bahar Khazei. She has a solo experimental folk project called Troll Dolly.
Yakamovich has a progressive vision impairment called retinitis pigmentosa. She holds a Master\u2019s degree in Environmental Studies from Dalhousie University.<\/p>\n\n\n\n

Roxanne Nesbitt<\/strong><\/p>\n\n\n\n

Roxanne Nesbitt\u00a0est designer, compositrice et artiste sonore. Apr\u00e8s des \u00e9tudes en contrebasse classique et en architecture, Roxanne travaille entre les domaines de la musique et du design. Ses recherches explorent la conception d\u2019instruments, le point de rencontre entre la composition et l\u2019improvisation, la c\u00e9ramique sculpturale et les installations sonores participatives. Roxanne collabore avec des concepteur.ice.s d\u2019instruments, des musicien.ne.s, des compositeur.ice.s et des chor\u00e9graphes pour cr\u00e9er ses \u0153uvres.
Sa musique a \u00e9t\u00e9 jou\u00e9e \u00e0 travers l\u2019Europe et l\u2019Am\u00e9rique du Nord, notamment lors de performances au Gaudeamus Muziekweek \u00e0 Utrecht, au November Music \u00e0 Den Bosch, au Bauchhund \u00e0 Berlin, au Western Front \u00e0 Vancouver et au Center for New Music \u00e0 San Francisco. Son processus de cr\u00e9ation c\u00e9l\u00e8bre l\u2019intimit\u00e9, la curiosit\u00e9 et l\u2019exploration.<\/p>\n\n\n\n

Roxanne Nesbitt\u00a0is a designer, composer, and sound artist. Following formal studies in classical double bass and architecture, Roxanne works between the fields of music and design. Her research explores radical instrument design, the meeting place of composition and improvisation, sculptural ceramics and participatory sound installation. Roxanne collaborates with instrument designers, musicians, composers, and choreographers to create work.
Her music has been played across Europe and North America including performances at Gaudeamus Muziekweek in Utrecht, November Music in Den Bosch, Bauchhund in Berlin, Western Front in Vancouver, and the Center for New Music in San Francisco. She celebrates process making work that is intimate, inquisitive, and exploratory.<\/p>\n\n\n\n

POUR ACHETER VOTRE BILLET, C\u2019EST ICI!<\/a><\/strong><\/p>\n\n\n\n