{"id":144012,"date":"2025-09-24T11:28:00","date_gmt":"2025-09-24T15:28:00","guid":{"rendered":"https:\/\/panm360.com\/?post_type=agenda&p=144012"},"modified":"2025-09-25T09:03:08","modified_gmt":"2025-09-25T13:03:08","slug":"pop-montreal-joseph-shabason-little-mazarn-eliza-niemi-pure-pulp-au-ptit-ours","status":"publish","type":"agenda","link":"https:\/\/panm360.com\/en\/agenda\/pop-montreal-joseph-shabason-little-mazarn-eliza-niemi-pure-pulp-au-ptit-ours\/","title":{"rendered":"POP Montr\u00e9al : Joseph Shabason + Little Mazarn + Eliza Niemi + pure pulp au P\u2019tit Ours"},"content":{"rendered":"\n

Joseph Shabason<\/strong><\/p>\n\n\n\n

Joseph Shabason est multi-instrumentiste, compositeur, producteur et artiste. Apr\u00e8s avoir obtenu son dipl\u00f4me de saxophone du programme d\u2019interpr\u00e9tation jazz de l\u2019Universit\u00e9 de Toronto en 2006, il a jou\u00e9 et tourn\u00e9 avec les groupes Destroyer, The War On Drugs, Andr\u00e9 Ethier et DIANA. Deux de ses albums (Kaputt et Poison Season) ont \u00e9t\u00e9 pr\u00e9s\u00e9lectionn\u00e9s pour le Prix de musique Polaris, et l\u2019album \u00e9ponyme de son propre groupe DIANA a \u00e9t\u00e9 pr\u00e9s\u00e9lectionn\u00e9 pour le Prix Polaris. Kaputt a \u00e9t\u00e9 \u00e9lu deuxi\u00e8me album de l\u2019ann\u00e9e par Pitchfork Media et Poison Season a \u00e9t\u00e9 nomin\u00e9 aux JUNO en 2015.
En plus de ses tourn\u00e9es et de ses participations \u00e0 des projets originaux, Joseph compose pour le cin\u00e9ma, la t\u00e9l\u00e9vision et des publicit\u00e9s. Il a compos\u00e9 la musique du documentaire Omega Man de Yung Chang, diffus\u00e9 sur TSN, ainsi que celle de Your Tomorrow d\u2019Ali Weinstein, nomin\u00e9 pour le prix Rogers du meilleur film canadien. Joseph a compos\u00e9 la musique du long m\u00e9trage Silent Retreat de Mirimax ainsi que du court m\u00e9trage Melinda\u2019s Wish, avec BJ Novak, Amy Okuda et Bobby Moynihan. Il a \u00e9galement compos\u00e9 la musique de la s\u00e9rie Hulu SLIP, avec Zoe Lister Jones. Il a \u00e9galement compos\u00e9 toutes les musiques originales des populaires balados Front Burner et Pop Chat de la CBC. Sa musique originale a \u00e9galement \u00e9t\u00e9 diffus\u00e9e dans le documentaire Netflix The Andy Warhol Diaries.<\/p>\n\n\n\n

Joseph Shabason is a multi-instrumentalist, composer, producer and recording artist_. After graduating as a saxophone major from the University of Toronto Jazz Performance program in 2006 he went on to play and tour in the bands Destroyer, The War On Drugs, Andre Ethier and DIANA. Two albums that he has recorded on (Kaputt and Poison Season) have been Short-listed for the Polaris Music Prize and the self-titled album from his own band DIANA was long-listed for the Polaris Prize. Kaputt was voted the No. 2 album of the year by Pitchfork Media and Poison Season was nominated for a JUNO Award in 2015.
Alongside touring and playing in original projects Joseph composes for film, television and commercials. He has scored Yung Chang\u2019s documentary Omega Man that aired on TSN as well as Ali Weinstein\u2019s Your Tomorrow which was nominated for Roger\u2019s Best Canadian Film award. Joseph has written the music for the Mirimax feature Silent Retreat as well as the short Melinda\u2019s Wish starring BJ Novak, Amy Okuda and Bobby Moynihan. He also composed the music for the Hulu series SLIP staring Zoe Lister Jones. He also composed all the original music on the popular CBC podcasts Front Burner and Pop Chat. His original music was also featured in the Netflix Documentary The Andy Warhol Diaries.<\/p>\n\n\n\n

Little Mazarn<\/strong><\/p>\n\n\n\n

En constante \u00e9volution, Little Mazarn a vu le jour en 2015 en tant que duo banjo et scie musicale form\u00e9 par Lindsey et Jeff, tous deux originaires de Dallas. On peut croiser le groupe partout o\u00f9 se rencontrent l\u00e9gendes et nouvelles g\u00e9n\u00e9rations, que ce soit lors de concerts secrets dans des salons, sur les sc\u00e8nes de l\u2019indie local ou encore au Wizard Rodeo, un festival annuel que Lindsey contribue \u00e0 organiser. Le groupe se situe \u00e0 la crois\u00e9e des chemins de la musique marginale texane : au violoncelle, Lindsey a enregistr\u00e9 sur les albums r\u00e9compens\u00e9s aux Grammy Awards de Patty Griffin, Patty Griffin et Servant of Love, ainsi qu\u2019avec le groupe Dana Falconberry pendant sept ans. Apr\u00e8s une longue carri\u00e8re d\u2019accompagnatrice, elle n\u2019\u00e9crira sa premi\u00e8re chanson qu\u2019\u00e0 34 ans. Jeff, pour sa part, a jou\u00e9 dans le groupe de Bill Callahan, ainsi qu\u2019avec Li\u2019l Cap\u2019n Travis et Orange Mothers. Carolina, connue pour son prolifique projet solo hemlock, apporte ses propres racines issues du pays cajun de Louisiane.<\/p>\n\n\n\n

Ever evolving, Little Mazarn began in 2015 as the banjo-and-saw duo of Lindsey and Jeff, who were both raised in Dallas. You can find the group playing anywhere legends and youngsters may rub elbows, from secret house shows to indie scene stages to Wizard Rodeo, an annual music festival Lindsey helps run. The band\u2019s crossroads branch across prominent Texas outsider music: On cello, Lindsey has recorded on Patty Griffin\u2019s Grammy-winning albums, Patty Griffin and Servant of Love, as well as with the band Dana Falconberry for seven years. The longtime side player wouldn\u2019t write her first song until age 34. Jeff has played in Bill Callahan\u2019s band, as well as with Li\u2019l Cap\u2019n Travis and Orange Mothers. Carolina, known for prolific solo project hemlock, enfolds their own background from Louisiana Cajun country.<\/p>\n\n\n\n

Eliza Niemi<\/strong><\/p>\n\n\n\n

Je joue du violoncelle et de la basse et j\u2019interpr\u00e8te des chansons parfois qualifi\u00e9es de \u00ab tranches de vie \u00bb et de \u00ab longues \u00bb. Je joue en live avec guitare, batterie, claviers et ch\u0153urs. Pour les fans de : Arthur Russell, The Roches, Jenny Hval, Yo La Tengo, Cate Le Bon, Purple Mountains, Devon Sproule, Cassandra Jenkins.<\/p>\n\n\n\n

I play cello and bass and sing songs that have been described as \u201cslice of life\u201d and \u201coblong.\u201d I play live with guitar, drums, keys and backing vocals. For fans of: Arthur Russell, The Roches, Jenny Hval, Yo La Tengo, Cate Le Bon, Purple Mountains, Devon Sproule, Cassandra Jenkins.<\/p>\n\n\n\n

pure pulp<\/strong><\/p>\n\n\n\n

pure pulp est le projet solo de Sam Sarty, explorant des paysages sonores textur\u00e9s issus de paysages et de sons trouv\u00e9s, des boucles de m\u00e9mos vocaux, des claviers, une basse, une guitare, des voix et des bo\u00eetes \u00e0 rythmes Casio r\u00e9cup\u00e9r\u00e9s. Inspir\u00e9e par Yo La Tengo, The Books, Broadcast et le mouvement primitif am\u00e9ricain de John Fahey, elle exp\u00e9rimente \u00e9galement l\u2019int\u00e9gration d\u2019arrangements de guitare minimalistes avec des voix assorties. Projectionniste \u00e0 Winnipeg, au Manitoba, depuis plus de dix ans, Sarty a cr\u00e9\u00e9 pure pulp pour accompagner des images de la vie dans les prairies. Le projet est n\u00e9 de musiques de films et de moments d\u2019ambiance, une tentative de rendre l\u2019image accessible \u00e0 l\u2019oreille. pure pulp a compos\u00e9 la musique de plusieurs films, notamment celle du court m\u00e9trage \u00ab Don\u2019t Let the Sun Catch You Crying \u00bb (2024) produit par l\u2019Office national du film du Canada et celle de \u00ab Fort Garry Hotel \u00bb (2025) de Ryan Steel. pure pulp a une touche d\u2019improvisation en live, assurant la premi\u00e8re partie du compositeur avant-gardiste William Basiniski en 2024 ; leurs chansons int\u00e9graient un arrangement live de casios superpos\u00e9s, de trombone et de boucles vocales. Sarty joue \u00e9galement dans ses groupes Living Hour et Veneer. Son premier EP, \u00ab arch above your head \u00bb, sortira \u00e0 l\u2019automne 2025. \u00ab Je t\u2019ai entendu dire une phrase, mais tu l\u2019as dite en direction de la circulation plut\u00f4t qu\u2019en direction de moi. \u00bb<\/p>\n\n\n\n

pure pulp is Sam Sarty\u2019s solo project, exploring textural soundscapes from landscapes and found sounds, looping voice memos, thrifted keyboards, bass, guitar, vocals and casio drum machines. Inspired by Yo La Tengo, The Books, Broadcast and John Fahey\u2019s american primitive movement, she also experiments with incorporating minimal guitar arrangements with matching vocals. Working as a projectionist in Winnipeg, Manitoba for over 10 years, Sarty created pure pulp to accompany images of prairie life. The project was dreamed from film scores and ambient moments in movies, an effort to bring visuals to ears. pure pulp\u2019s music has scored various films including scoring a National Film Board produced short \u201cDon\u2019t Let the Sun Catch You Crying\u201d (2024) and Ryan Steel\u2019s \u201cFort Garry Hotel\u201d (2025). pure pulp has an improvised edge when performing live, opening for avant-garde composer William Basiniski in 2024; their songs incorporated a live arrangement of overlapping casios, trombone and vocal looping. Sarty also plays music in her bands Living Hour and Veneer. She has her debut EP \u201carch above your head\u201d coming out in Fall of 2025. \u201ci heard you say a sentence, but you said it towards traffic instead of me\u201d.<\/p>\n\n\n\n

POUR ACHETER VOTRE BILLET, C\u2019EST ICI!<\/a><\/strong><\/p>\n\n\n\n