{"id":143836,"date":"2025-09-15T01:56:00","date_gmt":"2025-09-15T05:56:00","guid":{"rendered":"https:\/\/panm360.com\/?post_type=agenda&p=143836"},"modified":"2025-09-16T13:56:48","modified_gmt":"2025-09-16T17:56:48","slug":"pop-montreal-nora-kelly-kt-laine-lennie-rayen-lena-bartels","status":"publish","type":"agenda","link":"https:\/\/panm360.com\/en\/agenda\/pop-montreal-nora-kelly-kt-laine-lennie-rayen-lena-bartels\/","title":{"rendered":"POP Montr\u00e9al : Nora Kelly\u00a0+ KT Laine\u00a0+ Lennie Rayen +\u00a0L\u00e9na Bartels au Quai des brumes"},"content":{"rendered":"\n

Nora Kelly Band<\/strong><\/p>\n\n\n\n

Nora Kelly Band est le fruit d\u2019une rencontre entre amis sur la voie ferr\u00e9e du quartier du Mile-End \u00e0 Montr\u00e9al. Les gens se rassemblaient pour les \u00e9couter et chanter avec eux, jusqu\u2019\u00e0 ce que les flics les chassent. Le style alt-country de NKB offre des harmonies envo\u00fbtantes, un twang endiabl\u00e9 et des paroles pleines d\u2019ironie \u2013 la toile de fond parfaite pour votre prochaine soir\u00e9e dans le foin. Le premier album de NKB, \u00ab Rodeo Clown \u00bb, sorti chez Mint Records, explore toute la gamme des styles influenc\u00e9s par la country \u2013 des slow burners aux foot stompers \u2013 mais avec un th\u00e8me qui les relie tous.<\/p>\n\n\n\n

Nora Kelly Band was born of friends jamming by the train tracks of Montreal\u2019s Mile End neighbourhood. People flocked to listen and sing along\u2013until the cops chased them off. NKB\u2019s twist on alt-country delivers haunting harmonies, rambunctious twang, and wry lyrics\u2013the perfect backdrop for your next tussle in the hay. NKB\u2019s debut album \u2018Rodeo Clown\u2019, released via Mint Records, roams the range of country-inflected styles \u2014 slow burners to foot stompers \u2014 but a theme that ties it together.<\/p>\n\n\n\n

KT Laine<\/strong><\/p>\n\n\n\n

KT Laine est une \u00e9tude de la subtilit\u00e9. Ses chansons rayonnent d\u2019une chaleur positive, douces et pos\u00e9es. Si leurs interpr\u00e9tations semblent naturelles, ce sont aussi des morceaux finement construits qui \u00e9voquent autant des auteurs-compositeurs-interpr\u00e8tes contemporains partageant les m\u00eames id\u00e9es (Angel Olsen, Cate Le Bon, Big Thief) que des l\u00e9gendes des ann\u00e9es 60 et 70 comme Linda Perhacs, Sybille Baier et Judee Sill. En concert, les chansons prennent vie gr\u00e2ce \u00e0 une pr\u00e9sence sc\u00e9nique calme et pos\u00e9e, \u00e0 la fois d\u00e9contract\u00e9e et pr\u00e9cise, et sont travers\u00e9es par la voix langoureuse de Laine et ses apart\u00e9s tout aussi doux entre les chansons.<\/p>\n\n\n\n

KT Laine is a study in subtlety. Her songs radiate a positively warm glow, sweetly burnished and unhurried. And while her performances make them seem effortless, they are also finely constructed pieces that recall certain like-minded contemporary singer-songwriters (Angel Olsen, Cate Le Bon, Big Thief) as much as \u201960s and \u201970s legends like Linda Perhacs, Sybille Baier, and Judee Sill. Live, the songs are brought to life with a cool, collected stage presence, easygoing yet laser-focused, and cut through with Laine\u2019s languid vocals and equally mellow between-song asides.<\/p>\n\n\n\n

Lennie Rayen<\/strong><\/p>\n\n\n\n

Lennie Rayen \u00e9crit des chansons qui observent, se d\u00e9ploient et r\u00e9sonnent \u2014 honn\u00eates sans trop en dire, po\u00e9tiques sans en faire trop. Cette artiste de 23 ans originaire de North Bay, en Ontario, m\u00eale ses racines indie folk \u00e0 une sensibilit\u00e9 indie rock de plus en plus affirm\u00e9e, port\u00e9e par une pr\u00e9cision lyrique et un instinct m\u00e9lodique naturel. Sa musique invite \u00e0 une \u00e9coute attentive, tissant des jeux de mots subtils et des arrangements \u00e9mouvants en des chansons qui d\u00e9voilent de nouvelles facettes \u00e0 chaque \u00e9coute. En 2023, son EP Believe That It\u2019s Blue a \u00e9t\u00e9 salu\u00e9 pour ses th\u00e8mes introspectifs. Aujourd\u2019hui, alors qu\u2019elle travaille activement sur son premier album, Lennie continue de fa\u00e7onner un univers sonore \u00e0 la fois doux et puissant.<\/p>\n\n\n\n

Lennie Rayen writes songs that observe, unravel, and linger\u2014honest without oversharing, poetic without pretending. The 23-year-old artist from North Bay, Ontario blends indie folk roots with a growing indie rock edge, grounded in lyrical precision and melodic instinct. Her music invites a closer listen, weaving clever wordplay and moving arrangements into songs that reveal more with every spin. In 2023, her EP Believe That It\u2019s Blue drew praise for its introspective themes. Now deep into working on her debut album, Lennie continues to shape a sound that\u2019s both tender and powerful.<\/p>\n\n\n\n

L\u00e9na Bartels<\/strong><\/p>\n\n\n\n

Dans son deuxi\u00e8me album de chansons rock toujours \u00e9tranges et brillantes, The Brightest Silver Fish, L\u00e9na Bartels \u00e9crit souvent entre deux \u00e9motions. L\u2019auteure-compositrice-interpr\u00e8te de Brooklyn observe les sch\u00e9mas qui se jouent entre ses narrateurs et les autres, parfois de tr\u00e8s loin, parfois de si pr\u00e8s que l\u2019on ne distingue que des couleurs d\u00e9grad\u00e9es et des mouvements flous. Elle explore les fa\u00e7ons involontairement destructrices dont nous exprimons notre int\u00e9r\u00eat pour les autres \u2013 comment la coercition peut sembler ins\u00e9parable du d\u00e9sir, et comment les gens s\u2019habituent tellement \u00e0 se sentir d\u00e9poss\u00e9d\u00e9s de leur pouvoir qu\u2019ils en oublient leur propre pouvoir d\u2019action. S\u2019inspirant de l\u2019attitude de l\u2019alt-rock des ann\u00e9es 90 et de l\u2019habilet\u00e9 des auteurs-compositeurs-interpr\u00e8tes classiques comme Rickie Lee Jones et Aimee Mann, Bartels modifie audacieusement son paysage musical en fonction des besoins de chaque sc\u00e8ne, cr\u00e9ant ainsi des images d\u00e9form\u00e9es d\u2019un monde hant\u00e9 et incertain.<\/p>\n\n\n\n

On her sophomore album of abidingly strange and brilliant rock songs, The Brightest Silver Fish, L\u00e9na Bartels often writes from somewhere in between emotions. The Brooklyn singer-songwriter observes patterns playing out between her narrators and others\u2014sometimes from a great distance, sometimes from so close that all we can make out is gradient color and blurred motion. She explores the unintentionally destructive ways we express care for one another\u2014how coercion can feel inseparable from desire, and how people become so accustomed to feeling disempowered that they forget their own agency. Informed by the attitude of \u201890s alt-rock and the tight craftsmanship of classic singer-songwriters like Rickie Lee Jones and Aimee Mann, Bartels shifts her musical landscape boldly with the needs of each scene, creating distorted images of a haunted, uncertain world.<\/p>\n\n\n\n

POUR ACHETER VOTRE BILLET, C\u2019EST ICI!<\/a><\/strong><\/p>\n\n\n\n