Point de convergence entre technologie, performance et po\u00e9sie visuelle, A\/Visions propose deux soir\u00e9es exceptionnelles au Th\u00e9\u00e2tre Maisonneuve.
A\/Visions 1 pr\u00e9sente trois performances audiovisuelles qui deviennet un espace de transformation, d\u2019Histoire et de collaboration entre l\u2019humain et la machine. Chaque performance d\u00e9passe la simple repr\u00e9sentation pour offrir une narration visuelle et sonore, o\u00f9 les fronti\u00e8res entre m\u00e9moire, technologie et \u00e9motion se confondent.<\/p>\n\n\n\n
A\/Visions is a point of convergence between technology, performance, and visual poetry, presenting two exceptional evenings at Th\u00e9\u00e2tre Maisonneuve.
A\/Visions 1 presents three audiovisual performances that become a space of transformation, history, and collaboration between humans and machines. Each work goes beyond mere representation to offer a visual and sonic narrative, where the boundaries between memory, technology, and emotion blur.<\/p>\n\n\n\n
Quayola<\/strong><\/p>\n\n\n\n L\u2019artiste italien\u00a0Quayola\u00a0interroge les codes visuels de l\u2019histoire de l\u2019art \u00e0 travers le prisme des technologies computationnelles. Entre abstraction num\u00e9rique et h\u00e9ritage classique, son \u0153uvre traverse installations immersives, performances audiovisuelles et sculptures g\u00e9n\u00e9r\u00e9es par algorithmes, toutes issues de logiciels con\u00e7us sur mesure qui sondent la m\u00e9canique de la perception et de la repr\u00e9sentation. S\u2019inspirant de la peinture de paysage, de la sculpture traditionnelle et de l\u2019iconographie religieuse, Quayola fragmente et r\u00e9assemble ces formes en compositions hybrides. Il con\u00e7oit la machine non seulement comme un outil, mais aussi comme un collaborateur faillible, dont l\u2019incapacit\u00e9 \u00e0 saisir l\u2019\u00e9motion humaine donne naissance \u00e0 une \u00ab po\u00e9tique de l\u2019erreur \u00bb.<\/p>\n\n\n\n Italian artist\u00a0Quayola\u00a0reconfigures the visual languages of art history through the lens of contemporary computation. Working at the intersection of classical aesthetics and digital abstraction, his practice spans immersive installations, audiovisual performances, and algorithmically generated sculptures and drawings\u2014each built on custom software that interrogates the mechanics of perception and representation. Rooted in traditions such as landscape painting, religious iconography, and classical sculpture, Quayola\u2019s work deconstructs the visual codes of these forms to reveal a space where artificial logic contends with human expression. He treats the machine not just as a tool, but as a co-author\u2014one that falters in its attempt to grasp nuance, emotion, and context, revealing a striking \u201cpoetics of error.\u201d<\/p>\n\n\n\n K-PHI-A<\/strong><\/p>\n\n\n\n Revival\u00a0met en sc\u00e8ne une fusion saisissante entre impulsion humaine et intelligence artificielle. Le collectif vancouv\u00e9rois\u00a0K-PHI-A,\u00a0form\u00e9 d\u2019un batteur, d\u2019un musicien \u00e9lectronique et d\u2019un VJ, collabore avec des agents cr\u00e9atifs pour g\u00e9n\u00e9rer rythmes mouvants et visuels neuronaux en perp\u00e9tuelle \u00e9volution. Ici, l\u2019IA ne suit pas : elle propose, \u00e9coute et r\u00e9pond. Ce dialogue en temps r\u00e9el transforme la sc\u00e8ne en laboratoire vivant, o\u00f9 l\u2019art se r\u00e9invente \u00e0 la crois\u00e9e de l\u2019humain et de la machine.<\/p>\n\n\n\n Revival\u00a0is a real-time collision of human spontaneity and AI-driven sound. Vancouver\u2019s\u00a0K-PHI-A\u00a0collective\u2014featuring a drummer, electronic musician, and visual jockey\u2014joins forces with intelligent agents to co-create evolving rhythms and morphing neural visuals. These AI systems don\u2019t just assist, they initiate, respond, and adapt. As beats, textures, and visuals constantly shift, the boundaries between human intent and machine creativity blur, offering a high-voltage glimpse into the future of live performance.<\/p>\n\n\n\n Abul Mogard & Grand River<\/strong><\/p>\n\n\n\n Avec\u00a0In uno spazio immenso,\u00a0Grand River\u00a0et\u00a0Abul\u00a0Mogard\u00a0d\u00e9veloppent des paysages sonores lents et r\u00e9sonants, desquels d\u00e9coulent un \u00e9quilibre subtil entre grandeur op\u00e9ratique et simplicit\u00e9 diffuse, o\u00f9 textures denses et rythmes insaisissables se r\u00e9pondent dans un jeu de contrastes ma\u00eetris\u00e9. Leur performance live prolonge cette approche, invitant chacun\u00b7e \u00e0 \u00e9couter une voix int\u00e9rieure propre, port\u00e9e par l\u2019imaginaire.<\/p>\n\n\n\n Drawing from their album\u00a0In uno spazio immenso,\u00a0Grand\u00a0River\u00a0and\u00a0Abul\u00a0Mogard\u00a0craft slow-moving, resonant soundscapes that strike a knife-edge balance between booming, operatic grandeur and soft-focus simplicity, illuminating the subtle outlines and illusory rhythms as much as the dense, almost overpowering textures. Their live performance balances weight and stillness creating space for each listener to wander inward.<\/p>\n\n\n\n POUR ACHETER VOTRE BILLET, C\u2019EST ICI!<\/a><\/strong><\/p>\n\n\n\n