La s\u00e9rie Nocturne du festival MUTEK investit la SAT du mercredi au dimanche, offrant une immersion sensorielle unique au c\u0153ur de Montr\u00e9al.
Avec huit performances, dont quatre sous le d\u00f4me, Nocturne 3 orchestre la collision de la house, du dub, du UK garage et de l\u2019\u00e9lectronique exp\u00e9rimentale. Cette troisi\u00e8me soir\u00e9e d\u00e9voile un espace de libert\u00e9 et de r\u00e9sonance collective sur les deux \u00e9tages de la SAT.<\/p>\n\n\n\n
MUTEK\u2019s Nocturne series takes over the SAT from Wednesday to Sunday, offering a unique sensory immersion in the heart of Montr\u00e9al.
With eight performances, including four under the dome, Nocturne 3 orchestrates a collision of house, dub, UK garage, and experimental electronics. This third evening unfolds as a space for freedom and collective resonance across both floors of the SAT.<\/p>\n\n\n\n
Espace SAT<\/strong><\/p>\n\n\n\n Loidis<\/strong><\/p>\n\n\n\n Quelque part entre la techno minimale, les textures dub et la microhouse, Brian Leeds, sous le nom de Loidis, d\u00e9veloppe une musique de d\u00e9rive et d\u2019intimit\u00e9. Plus connu pour ses projets Huerco S. et Pendant, il sculpte des paysages sonores luxuriants et feutr\u00e9s, un style qu\u2019il qualifie avec humour de \u00ab dub mnml emo tech \u00bb.<\/p>\n\n\n\n Somewhere between minimal techno, dub textures, and microhouse, under the name Loidis, Brian Leeds establishes a music of drift and intimacy. Better known for his work as Huerco S. and Pendant, he sculpts lush, slow-burning soundscapes, a style he jokingly labels \u201cdub mnml emo tech.\u201d<\/p>\n\n\n\n Gayance<\/strong><\/p>\n\n\n\n Originaire de Montr\u00e9al, l\u2019artiste ha\u00eftiano-canadienne Gayance (A\u00efsha Vertus) fusionne house jazzy, rythmes br\u00e9siliens et broken beat londonien dans des sets riches en \u00e9motions et en groove. Active depuis plus d\u2019une d\u00e9cennie, elle s\u2019est impos\u00e9e sur les sc\u00e8nes internationales, du Panorama Bar \u00e0 Berlin au Montreux Jazz Festival. Inspir\u00e9e par la Beat Scene de Los Angeles et la culture bruk de Londres, elle fait dialoguer h\u00e9ritages afro-diasporiques et musiques \u00e9lectroniques avec une \u00e9nergie communicative. Son nom, tir\u00e9 du cr\u00e9ole ha\u00eftien, signifie “joie”, un mot qui r\u00e9sume parfaitement l\u2019exp\u00e9rience sc\u00e9nique qu\u2019elle nous offre.<\/p>\n\n\n\n Haitian-Canadian artist Gayance (A\u00efsha Vertus), born in Montr\u00e9al, blends jazzy house, Brazilian rhythms, and London\u2019s broken beat tradition into emotionally charged, groove-heavy sets. Performing for over a decade, she lit up stages from Panorama Bar to Montreux Jazz Festival, with a sound shaped by LA\u2019s beat scene and UK bruk. Drawing on Afro-diasporic heritage and electronic experimentation, her performances are both soulful and vibrant. Her name, taken from the Haitian Creole word for \u201cjoy,\u201d captures the spirit she brings to dancefloors around the world.<\/p>\n\n\n\n Kyle Hall <\/strong><\/p>\n\n\n\n Kyle Hall est un producteur de musique \u00e9lectronique et DJ am\u00e9ricain originaire de Detroit, Michigan. Il commence \u00e0 faire de la musique d\u00e8s son plus jeune \u00e2ge et se fait remarquer \u00e0 la fin des ann\u00e9es 2000 et au d\u00e9but des ann\u00e9es 2010 gr\u00e2ce \u00e0 une s\u00e9rie de sorties salu\u00e9es par la critique, m\u00ealant les influences classiques de la techno et de la house de Detroit \u00e0 un style personnel et novateur.<\/p>\n\n\n\n Kyle Hall is an American electronic music producer and DJ from Detroit, Michigan. He began making music at a young age and rose to prominence in the late 2000s and early 2010s with a series of critically acclaimed releases that combined classic Detroit techno and house influences with his own unique style.<\/p>\n\n\n\n Martyn Bootyspoon<\/strong><\/p>\n\n\n\n Martyn \u201cM.\u201d Bootyspoon est le projet musical de Jason Voltaire, artiste bas\u00e9 \u00e0 Montr\u00e9al. Membre du collectif Fractal Fantasy aux c\u00f4t\u00e9s de Sinjin Hawke et Zora Jones, il se fait conna\u00eetre en 2017 avec une apparition sur l\u2019album First Opus<\/em> de Hawke, avant de sortir en 2018 son premier EP Silk Eternity<\/em>, salu\u00e9 par la critique. Naviguant entre house suggestive, ghettotech et textures digitales aff\u00fbt\u00e9es, Bootyspoon compose des morceaux qui d\u00e9tournent les codes du club avec un humour mordant et une esth\u00e9tique impr\u00e9gn\u00e9e de l\u2019\u00e8re Internet. Sa musique capte l\u2019\u00e9nergie brute des nuits d\u2019exc\u00e8s tout en affichant une pr\u00e9cision rythmique et sonore remarquable.<\/p>\n\n\n\n Martyn \u201cM.\u201d Bootyspoon is the dancefloor alias of Montr\u00e9al-based artist Jason Voltaire, known for his playful and provocative take on club music. Emerging from the Fractal Fantasy collective alongside Sinjin Hawke and Zora Jones, Bootyspoon first made his mark in 2017 with a feature on Hawke\u2019s First Opus<\/em> LP, before releasing his debut EP Silk Eternity<\/em> in 2018 to critical acclaim. Blending raunchy house, ghettotech, and slick digital club textures, Bootyspoon crafts tracks designed to flip genre conventions inside out, updating classic sounds with a sharp sense of humor and a distinctly Internet-era twist. His music channels the energy of late-night hedonism while maintaining a meticulous ear for rhythmic detail and texture.<\/p>\n\n\n\n Satosph\u00e8re<\/strong><\/p>\n\n\n\n Thisquietarmy & Mothrspace \u2013 Flor do Cerrado<\/strong><\/p>\n\n\n\n Avec Flor do Cerrado, thisquietarmy & Mothrspace brouillent les fronti\u00e8res entre r\u00e9sonance organique et abstraction \u00e9lectronique. Trait\u00e9 en direct, le violoncelle fusionne avec des pistes de guitare atmosph\u00e9riques, entre tension brute et beaut\u00e9 \u00e9trange. Une m\u00e9ditation sonore entre nature et machine.<\/p>\n\n\n\n In Flor do Cerrado, thisquietarmy & Mothrspace dissolve the boundaries between organic resonance and electronic abstraction. Live-processed cello and textured guitar merge into a haunting soundscape\u2014at once intimate and alien. A raw, atmospheric dialogue where the natural world meets its digital echo.<\/a><\/a><\/p>\n\n\n\n .618 \u2013 Goodbye ONY<\/strong><\/p>\n\n\n\n .618 est le pseudonyme sonore de Nick Rony, dont les compositions immersives m\u00ealent enregistrements de terrain, textures \u00e9lectroniques et instrumentation organique. \u00c0 travers une approche sensorielle, iel explore les g\u00e9otraumatismes et leur empreinte sur la m\u00e9moire collective, construisant des paysages sonores \u00e0 la crois\u00e9e des genres.<\/p>\n\n\n\n .618 is the sonic alias of Nick Rony, whose emotionally charged compositions weave together field recordings, electronic textures, and organic instrumentation. Their practice examines the concept of geotrauma and its imprint on collective memory, crafting immersive soundscapes that defy genre boundaries.<\/p>\n\n\n\n Djeity & al11z \u2013 Things Are Not as They Seem<\/strong><\/p>\n\n\n\n Entre techno m\u00e9lodique, racines classiques et sonorit\u00e9s ancestrales, Things Are Not What They Seem marque les d\u00e9buts immersifs de Djeity, avec les visuels d\u2019al11z et le violoncelle de Fili Gibbons. Sous le d\u00f4me de la SAT, voix live et univers 3D r\u00e9actifs composent un voyage charg\u00e9 d\u2019\u00e9motions et de sens.<\/p>\n\n\n\n Blending melodic techno, classical roots, and ancestral sound, Things Are Not What They Seem is Djeity\u2019s immersive debut with visuals by al11z and cello by Fili Gibbons. In the SAT dome, live vocals and audio-reactive 3D worlds conjure a surreal, emotionally charged voyage through identity, healing, and transformation.<\/p>\n\n\n\n Xicada<\/strong><\/p>\n\n\n\n Xicada compose une musique \u00e9lectronique exp\u00e9rimentale qui explore des mondes imaginaires, des \u00e9tats alt\u00e9r\u00e9s et des jeux de rythmes et de textures. Son univers sonore m\u00eale voix spectrales, pistes inqui\u00e9tantes et pulsations sombres pour cr\u00e9er un paysage hant\u00e9, r\u00e9miniscence d\u2019un futur cyber-gothique suspendu dans un espace liminal. Son prochain album ENGAGING ANIMAL EARTH traverse des \u00e9tats de conscience interm\u00e9diaires, o\u00f9 spiritualit\u00e9 et mat\u00e9rialisme s\u2019affrontent dans une odyss\u00e9e sonore mouvante et introspective.<\/p>\n\n\n\n Xicada creates experimental electronic music that evokes imagined worlds, altered states, and rhythmic decay. Her sound merges spectral vocals, eerie textures, and pulsing beats into a haunted landscape\u2014an echo of a cyber-goth future caught in limbo. Exploring themes of perception and the thresholds between consciousness and existence, her forthcoming 2025 album ENGAGING ANIMAL EARTH guides listeners through sonic spaces where spirituality and materialism collide.<\/a><\/a><\/a><\/p>\n\n\n\n POUR ACHETER VOTRE BILLET, C\u2019EST ICI!<\/a><\/strong><\/p>\n\n\n\n