Joseph Arthur m\u00eale le style lyrique litt\u00e9raire et expressif d’un auteur-compositeur classique \u00e0 une musique ancr\u00e9e dans l’indie rock. Il est un auteur-compositeur-interpr\u00e8te respect\u00e9 dont le travail a impressionn\u00e9 aussi bien les critiques que des artistes tels que Peter Gabriel et Michael Stipe. Le but initial d’Arthur \u00e9tait de devenir un bassiste talentueux, mais sa d\u00e9couverte de Bob Dylan et Kurt Cobain l’a pouss\u00e9 \u00e0 se mettre \u00e0 l’\u00e9criture de chansons. En 1996, il auto-produisit un EP qui parvint jusqu’\u00e0 Peter Gabriel, qui le signa sur son label Real World. Big City Secrets (1997) et Come to Where I’m From (2000), ses albums respectivement audacieux et roots, impressionn\u00e8rent les critiques et les auditeurs avertis, tandis qu’avec Our Shadows Will Remain (2004), il approfondissait encore ses r\u00e9cits confessionnels. Avec Let’s Just Be (2007), Arthur lan\u00e7a son propre label, Lonely Astronaut, lui donnant un contr\u00f4le plus grand sur sa musique, tout en enregistrant des projets idiosyncratiques comme The Ballad of Boogie Christ (2013) et Lou (2014), une collection de reprises de Lou Reed.<\/p>\n\n\n\n
Blending the literate and expressive lyrical style of a classic singer\/songwriter with music rooted in indie rock, Joseph Arthur is a well-respected songwriter and performer whose work has impressed critics as well as artists such as Peter Gabriel and Michael Stipe. Arthur’s original goal was to become a hotshot bass player, but exposure to Bob Dylan and Kurt Cobain prompted him to take up songwriting, and in 1996, he self-released an EP that made its way to Peter Gabriel, who signed Arthur to his Real World label. 1997’s challenging Big City Secrets and 2000’s rootsy Come to Where I’m From impressed critics and discriminating listeners, and 2004’s Our Shadows Will Remain found him digging even deeper into his confessional tales. With 2007’s Let’s Just Be, Arthur launched his own record label, Lonely Astronaut, giving him greater control over his music as he recorded idiosyncratic projects such as 2013’s The Ballad of Boogie Christ and 2014’s Lou (the latter a collection of Lou Reed covers).<\/p>\n\n\n\n
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