Apparu au milieu des ann\u00e9es 90, Thievery Corporation, originaire de Washington D.C., est devenu l’un des groupes les plus populaires associ\u00e9s \u00e0 la musique \u00e9lectronique d\u00e9tendue et conviviale pour le lounge. Initialement connus pour leurs compositions instrumentales abstraites et dansantes, se situant entre le trip-hop et l’acid jazz, leur son s’est \u00e9largi avec l’inclusion de chanteurs et d’instruments en live sur The Mirror Conspiracy en 2000 (leur album le plus populaire aux \u00c9tats-Unis), fortement influenc\u00e9 par la bossa nova et la soul. \u00c0 partir de The Richest Man in Babylon en 2002, leurs albums sont devenus de plus en plus politiques, refl\u00e9tant leur position anti-guerre et pro-humanit\u00e9, tout en exprimant leur appr\u00e9ciation pour toutes les cultures du monde. Leur musique a \u00e9galement explor\u00e9 plusieurs influences et genres, tels que la musique classique indienne, le hip-hop et le reggae. Apr\u00e8s la psych\u00e9d\u00e9lie sombre de The Cosmic Game en 2005, Radio Retaliation en 2008 \u00e9tait un album de protestation incorporant des styles comme l’Afrobeat et le go-go, et The Temple of I & I (2017), enregistr\u00e9 en Jama\u00efque, \u00e9tait consacr\u00e9 au dub et au reggae. En 2020, Symphonik les a vus revisiter leurs morceaux favoris en collaboration avec l’orchestre FILMharmonic de Prague.<\/p>\n\n\n\n
Debuting in the mid-’90s, Washington, D.C.’s Thievery Corporation became one of the most popular acts associated with chilled-out, lounge-friendly electronic music. Initially known for making abstract, instrumental, midtempo dance music whose classification fell somewhere between trip-hop and acid jazz, their sound expanded to include vocalists and live instrumentation on 2000’s The Mirror Conspiracy (their most popular album in the United States), which was heavily influenced by bossa nova and soul. From 2002’s The Richest Man in Babylon onward, their albums became increasingly more political, reflecting their antiwar, pro-humanity stance in addition to their appreciation of all of the world’s cultures. Likewise, their music has explored several additional influences and genres, including Indian classical, hip-hop, and reggae. Following the dark psychedelia of 2005’s The Cosmic Game, 2008’s Radio Retaliation was a protest album incorporating styles such as Afrobeat and go-go, and the Jamaica-recorded The Temple of I & I (2017) was devoted to dub and reggae. 2020’s Symphonik saw them rework live favorites with Prague’s FILMharmonic Orchestra.<\/p>\n\n\n\n
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