{"id":126636,"date":"2024-09-20T15:56:51","date_gmt":"2024-09-20T19:56:51","guid":{"rendered":"https:\/\/panm360.com\/?post_type=agenda&p=126636"},"modified":"2024-10-03T22:54:42","modified_gmt":"2024-10-04T02:54:42","slug":"festival-flux-wadada-leo-smith-sylvie-courvoisier-et-rehab-hazgui","status":"publish","type":"agenda","link":"https:\/\/panm360.com\/en\/agenda\/festival-flux-wadada-leo-smith-sylvie-courvoisier-et-rehab-hazgui\/","title":{"rendered":"Festival FLUX : Wadada Leo Smith, Sylvie Courvoisier et Rehab Hazgui"},"content":{"rendered":"\n

Wadada Leo Smith<\/strong><\/p>\n\n\n\n

Wadada Leo Smith\u00a0est un trompettiste et compositeur am\u00e9ricain. Il est devenu membre de l\u2019Association for the Advancement of Creative Music, bas\u00e9e \u00e0 Chicago, en 1967, et a enregistr\u00e9 et jou\u00e9 de nombreuses \u0153uvres depuis lors. Leo Smith sera accompagn\u00e9 de la pianiste Sylvie Courvoisier pour interpr\u00e9ter Central Park\u2019s Mosaics of Reservoir, Lake, Paths and Gardens.
Smith a \u00e9t\u00e9 finaliste du prix Pulitzer de musique 2013 pour Ten Freedom Summers, (Defining Moments in the History of the United States of America), une collection de compositions inspir\u00e9es par le mouvement des droits civiques et publi\u00e9e sous la forme d\u2019un coffret de 4 CD.
Smith a \u00e9t\u00e9 nomm\u00e9 compositeur de l\u2019ann\u00e9e par le magazine DownBeat en 2013.
En 2016, Smith a re\u00e7u un Doris Duke Artist Award et un doctorat honorifique de CalArts, o\u00f9 il a \u00e9galement \u00e9t\u00e9 c\u00e9l\u00e9br\u00e9 en tant que professeur \u00e9m\u00e9rite. En outre, le mus\u00e9e Hammer lui a d\u00e9cern\u00e9 en 2016 le prix Mohn pour l\u2019ensemble de sa carri\u00e8re, qui rend hommage \u00e0 sa brillance et \u00e0 sa r\u00e9silience. En 2018, il a re\u00e7u le prix Religion et Arts de l\u2019Acad\u00e9mie am\u00e9ricaine de religion. En 2019, il a re\u00e7u la m\u00e9daille UCLA, la plus haute distinction d\u00e9cern\u00e9e par l\u2019universit\u00e9 de Californie \u00e0 Los Angeles. United States Artists a nomm\u00e9 Smith 2021 USA Fellow, et il a \u00e9t\u00e9 s\u00e9lectionn\u00e9 comme 2022 Mellon Arts & Practitioner Fellow au Yale Center for the Study of Race, Indigeneity and Transnational Migration (RITM).
Il a jou\u00e9 et\/ou enregistr\u00e9 avec Anthony Braxton, Leroy Jenkins, Roscoe Mitchell, Henry Threadgill, Lester Bowie, Joseph Jarman, Cecil Taylor, Steve McCall, Anthony Davis, Carla Bley, Don Cherry, Jeanne Lee, Tadao Sawai, Muhal Richard Abrams, Ed Blackwell, Kazuko Shiraishi, Han Bennink, Marion Brown, Charlie Haden, Malachi Favors Magoustous, Jack DeJohnette, Vijay Iyer, Ikue Mori, Min Xiao Fen, Bill Laswell, John Zorn, Ronald Shannon Jackson, Frank Lowe, parmi beaucoup d\u2019autres.<\/p>\n\n\n\n

Wadada Leo Smith is an American trumpeter and composer. He became a member of the Chicago based Association for the Advancement of Creative Music in 1967 and has recorded and performed extensively since this time. Smith will be joined by pianist Sylvie Courvoisier to perform Central Park\u2019s Mosaics of Reservoir, Lake, Paths and Gardens.
Smith was a finalist for the 2013 Pulitzer Prize in Music for Ten Freedom Summers, (Defining Moments in the History of the United States of America), a collection of compositions inspired by the civil rights movement and released as a 4-CD boxed set. Smith was named DownBeat Magazine\u2019s Composer of the Year in 2013.
In 2016 Smith received a Doris Duke Artist Award and earned an honorary doctorate from CalArts, where he was also celebrated as Faculty Emeritus. In addition, he received the Hammer Museum\u2019s 2016 Mohn Award for Career Achievement \u201chonoring brilliance and resilience.\u201d In 2018 he received the Religion and The Arts Award from the American Academy of Religion. In 2019 he received the UCLA Medal, the highest honor bestowed by the University of California, Los Angeles. United States Artists named Smith a 2021 USA Fellow, and he has been selected as a 2022 Mellon Arts & Practitioner Fellow at the Yale Center for the Study of Race, Indigeneity and Transnational Migration (RITM).
Smith has performed and\/or recorded with Anthony Braxton, Leroy Jenkins, Roscoe Mitchell, Henry Threadgill, Lester Bowie, Joseph Jarman, Cecil Taylor, Steve McCall, Anthony Davis, Carla Bley, Don Cherry, Jeanne Lee, Tadao Sawai, Muhal Richard Abrams, Ed Blackwell, Kazuko Shiraishi, Han Bennink, Marion Brown, Charlie Haden, Malachi Favors Magoustous, Jack DeJohnette, Vijay Iyer, Ikue Mori, Min Xiao Fen, Bill Laswell, John Zorn, Ronald Shannon Jackson, Frank Lowe, among many others.<\/p>\n\n\n\n

Sylvie Courvoisier<\/strong><\/p>\n\n\n\n

La pianiste-compositrice\u00a0Sylvie Courvoisier, originaire de Suisse et install\u00e9e \u00e0 Brooklyn, laur\u00e9ate du prix international de piano jazz en Allemagne en 2022, est r\u00e9put\u00e9e pour son \u00e9quilibre entre deux mondes distincts : la musique de chambre profondes et riches de subtilit\u00e9s li\u00e9es \u00e0 ses racines europ\u00e9ennes et les sons groovy et syncop\u00e9s de la sc\u00e8ne avant-jazz de New York, o\u00f9 elle vit depuis plus de vingt ans.
Peu d\u2019artistes se sentent vraiment \u00e0 l\u2019aise \u00e0 la fois dans les salles de concert et dans les clubs de jazz, qu\u2019ils jouent de la musique improvis\u00e9e ou compos\u00e9e. Mais Mme Courvoisier \u2013 \u00ab une pianiste \u00e0 la fois audacieuse et pleine d\u2019assurance \u00bb, selon le New York Times \u2013 est aussi convaincante lorsqu\u2019elle interpr\u00e8te l\u2019\u00e9pique Sacre du printemps de Stravinsky, avec le pianiste de musique nouvelle Cory Smythe, que lorsqu\u2019elle improvise avec son propre trio de jazz adul\u00e9 par la critique et compos\u00e9 du contrebassiste Drew Gress et du batteur Kenny Wollesen.
Ses collaborations avec des sommit\u00e9.e.s telles que John Zorn, Wadada Leo Smith, Evan Parker, Ikue Mori, Ned Rothenberg, Fred Frith, Andrew Cyrille, Mark Feldman, Christian Fennesz, Nate Wooley et Mary Halvorson ont largement contribu\u00e9 \u00e0 ouvrir toujours davantage ses oreilles.<\/p>\n\n\n\n

Pianist-composer\u00a0Sylvie Courvoisier, a Brooklyn-based native of Switzerland and winner of Germany\u2019s International Jazz Piano Prize in 2022, has earned renown for balancing two distinct worlds: the deep, richly detailed chamber music of her European roots and the grooving, hook-laden sounds of the avant-jazz scene in New York City, her home for more than two decades.
Few artists feel truly at ease in both concert halls and jazz clubs, playing improvised or composed music. But Courvoisier \u2014 \u201ca pianist of equal parts audacity and poise,\u201d according to The New York Times \u2014 is as compelling when performing Stravinsky\u2019s epochal Rite of Spring in league with new-music pianist Cory Smythe as she is when improvising with her own acclaimed jazz trio, featuring bassist Drew Gress and drummer Kenny Wollesen.\u00a0
Then there are her ear-opening collaborations with such luminaries as John Zorn, Wadada Leo Smith, Evan Parker, Ikue Mori, Ned Rothenberg, Fred Frith, Andrew Cyrille, Mark Feldman, Christian Fennesz, Nate Wooley and Mary Halvorson.<\/p>\n\n\n\n

Rehab Hazgui<\/strong><\/p>\n\n\n\n

Rehab Hazgui\u00a0est compositrice et \u00e9cologiste sonore. Ses \u0153uvres d\u2019art explorent les moyens d\u2019apprendre de nouvelles formes de langages par l\u2019\u00e9coute consciente et la relation que les \u00eatres entretiennent avec leur culture, leur patrimoine, leur soci\u00e9t\u00e9 et leur paysage en tant que participants impliqu\u00e9s et vivants. Ses recherches portent sur la mani\u00e8re dont le son \u00e9merge \u00e0 travers des paysages dynamiques, y compris ceux qui sont biologiques, g\u00e9ophysiques et issus des cons\u00e9quences humaines. Rehab Hazgui s\u2019int\u00e9resse principalement \u00e0 l\u2019acte d\u2019\u00e9coute lui-m\u00eame, dans la mesure o\u00f9 il est li\u00e9 \u00e0 notre perception de l\u2019espace, \u00e0 notre relation avec lui et au niveau profond d\u2019engagement avec le monde que nos oreilles nous procurent. Dans sa musique, elle explore constamment le mouvement sans fin du son, la r\u00e9p\u00e9tition et l\u2019utilisation du silence comme une troisi\u00e8me dimension permettant de naviguer entre diff\u00e9rentes formes d\u2019\u00e9coute.
Au c\u0153ur de sa recherche sonore se trouve le concept d\u2019interaction cognitive synergique, qui int\u00e8gre une collaboration transparente entre les humains et les machines afin de cr\u00e9er une performance musicale liminale. Sa musique est une exp\u00e9rience unique et innovante qui transcende les notions traditionnelles de musique et de technologie, offrant \u00e0 l\u2019auditeur.rice. un voyage sonore sans pr\u00e9c\u00e9dent. Ses cr\u00e9ations sonores d\u00e9fient la perception du temps et de l\u2019espace de l\u2019auditeur.rice., mettant en valeur son approche distincte de l\u2019exp\u00e9rimentation et de l\u2019exploration sonores. Le travail de Rehab Hazgui a \u00e9t\u00e9 pr\u00e9sent\u00e9 dans de nombreux festivals et lieux : The Art Week (Singapour), Phonetics (Alger), CTM (Berlin), Kikk (Namur, Belgique), Savvy Contemporary (Berlin), Phonetics (Saint Denis, Paris), Perte de Signal (Montr\u00e9al), Sight & Sound (Montr\u00e9al), The Mannheimer Sommer Festival (Mannheim, Allemagne) ; ainsi que d\u2019innombrables ateliers \u00e0 travers l\u2019Europe consacrer \u00e0 la construction de synth\u00e9tiseurs et d\u2019appareils audio DIY.<\/p>\n\n\n\n

Rehab Hazgui is a composer and sound ecologist. Her artworks explore ways to learn new forms of languages through conscious listening and the relationship that beings have with their culture, heritage, society and landscape as involved and living participants. Her research examines the ways in which sound emerges through dynamic landscapes, including those that are biological, geophysical, and human consequences. Rehab Hazgui\u2019s primary focus is on the act of listening to itself, as it relates to our perception of space, our relationship to it, and the profound level of engagement that our ears provide with the world. In her music she is constantly exploring the endless movement of sound, repetition, and the use of silence as a third space to navigate between different forms of listening.
At the heart of her sonic research is the concept of achieving a synergetic cognitive interaction, which involves the seamless collaboration between human and machine to create an integrated and boundary-pushing musical performance. Her music is a unique and innovative experience that transcends traditional notions of music and technology, offering an unparalleled sonic journey for the listener. Her sonic creations challenge the listener\u2019s perception of time and space, showcasing her distinct approach to sonic experimentation and exploration. Rehab Hazgui\u2019s work has been presented in many festivals and venues: The Art Week (Singapore), Phonetics (Algiers), CTM (Berlin), Kikk (Namur, Belgium), Savvy Contemporary (Berlin), Phonetics (Saint Denis, Paris), Perte de Signal (Montreal), Sight & Sound (Montreal), The Mannheimer Sommer Festival (Mannheim, Germany); as well as countless workshops across Europe on building DIY synthesizer and audio devices.<\/p>\n\n\n\n

POUR ACHETER VOTRE BILLET, C\u2019EST ICI!<\/a><\/strong><\/p>\n\n\n\n