{"id":126630,"date":"2024-09-20T13:03:53","date_gmt":"2024-09-20T17:03:53","guid":{"rendered":"https:\/\/panm360.com\/?post_type=agenda&p=126630"},"modified":"2024-10-03T22:54:29","modified_gmt":"2024-10-04T02:54:29","slug":"festival-flux-nakatani-gong-orchestra-tatusuya-nakatani-solo-et-arts-care","status":"publish","type":"agenda","link":"https:\/\/panm360.com\/en\/agenda\/festival-flux-nakatani-gong-orchestra-tatusuya-nakatani-solo-et-arts-care\/","title":{"rendered":"Festival FLUX : Nakatani Gong Orchestra, Tatusuya Nakatani solo et ARTS CARE"},"content":{"rendered":"\n

Tatsuya Nakatani<\/strong><\/p>\n\n\n\n

Tatsuya Nakatani est un percussionniste d\u2019avant-garde, un compositeur et un artiste sonore. Actif sur la sc\u00e8ne internationale depuis les ann\u00e9es 1990, Nakatani a publi\u00e9 plus de 80 enregistrements et effectu\u00e9 de nombreuses tourn\u00e9es, donnant plus de 150 concerts par an. Il se consacre principalement \u00e0 son travail en solo et \u00e0 son projet de grand ensemble, le Nakatani Gong Orchestra. Il donne des classes de ma\u00eetres et des conf\u00e9rences dans les universit\u00e9s et les conservatoires de musique du monde entier. Originaire du Japon, il vit dans la ville d\u00e9sertique de Truth or Consequences, au Nouveau-Mexique. Gr\u00e2ce \u00e0 ses activit\u00e9s dans les domaines de la musique nouvelle, de l\u2019improvisation et de la musique exp\u00e9rimentale, Nakatani multiplie les collaborations.
La musique de Nakatani est centr\u00e9e sur un gong adapt\u00e9 pour \u00eatre jou\u00e9 \u00e0 l\u2019archet, soutenu par un ensemble de tambours, de cymbales et de bols chantants. Avec ses archets Kobo qu\u2019il sculpte \u00e0 la main, il a consacr\u00e9 des d\u00e9cennies \u00e0 affiner et d\u00e9velopper son univers sonore, tel un agencement de formations vibratoires, ench\u00e2ss\u00e9es dans des strates scintillantes de silence et de texture. Au c\u0153ur de cette \u0153uvre contemporaine, on per\u00e7oit encore le rythme dramatique, l\u2019\u00e9l\u00e9gance formelle et l\u2019espace (ma) caract\u00e9ristiques de la musique traditionnelle japonaise.<\/p>\n\n\n\n

Tatsuya Nakatani is an avant-garde percussionist, composer, and artist of sound. Active internationally since the 1990s, Nakatani has released over 80 recordings and tours extensively, performing over 150 concerts a year. His primary focus is his solo work and his large ensemble project, the Nakatani Gong Orchestra. He teaches master classes and lectures at universities and music conservatories around the world. Originally from Japan, he makes his home in the desert town of Truth or Consequences, New Mexico. With his activity in new music, improvisation, and experimental music, Nakatani has a long history of collaboration.
Nakatani\u2019s distinctive music centered around his adapted bowed gong, supported by an array of drums, cymbals, and singing bowls. In consort with his personally hand-carved Kobo Bows, he has spent decades refining and developing his sound as an arrangement of formations of vibrations, incorporated in shimmering layers of silence and texture. Within this contemporary work, one can still recognize the dramatic pacing, formal elegance and space (ma) felt in traditional Japanese music.<\/p>\n\n\n\n

Les musicien.ne.s de cette \u00e9dition du Tatsuya Nakatani Gong Orchestra seront:<\/strong><\/p>\n\n\n\n

Genevi\u00e8ve Ackerman
Miel Azevedo
Annabelle Chouinard
Oscar Coyoli
Marilou Craft
Susanna Hood
Atsushi Ikeda
Chloe Jackson-Reynolds
Pablo Jimenez
Jean N\u00e9ant aka Joni Void
Shota Nakamura
Roxanne Nesbitt
Fahmid Nibesh
\u00c9lise Paradis
Christelle Saint-Julien
Tahlia Stacey<\/p>\n\n\n\n

The musicians for this edition of the Tatsuya Nakatani Gong Orchestra will be:<\/strong><\/p>\n\n\n\n

Genevi\u00e8ve Ackerman
Miel Azevedo
Annabelle Chouinard
Oscar Coyoli
Marilou Craft
Susanna Hood
Atsushi Ikeda
Chloe Jackson-Reynolds
Pablo Jimenez
Jean N\u00e9ant aka Joni Void
Shota Nakamura
Roxanne Nesbitt
Fahmid Nibesh
\u00c9lise Paradis
Christelle Saint-Julien
Tahlia Stacey<\/p>\n\n\n\n

ARTS CARE<\/strong><\/p>\n\n\n\n

ARTS CARE\u00a0est une installation sonore interactive de l\u2019artiste interdisciplinaire Jesse Stewart qui sera expos\u00e9e dans le hall de la Sala Rossa avant le concert du Nakatani Gong Orchestra. Des gongs-lettres en aluminium \u00e9pelant les mots \u00ab ARTS \u00bb et \u00ab CARE \u00bb r\u00e9sonneront gr\u00e2ce \u00e0 l\u2019instrument de musique \u00e0 usage adapt\u00e9 (AUMI), con\u00e7u \u00e0 l\u2019origine par la compositrice et improvisatrice am\u00e9ricaine Pauline Oliveros. Les visiteur.rice.s sont invit\u00e9.e.s \u00e0 se mouvoir autour de l\u2019\u0153uvre en se d\u00e9pla\u00e7ant dans le champ de vision d\u2019un iPad \u00e9quip\u00e9 de l\u2019AUMI d\u00e9tectant les mouvements et les convertissant en impulsions \u00e9lectriques qui sont ensuite envoy\u00e9es \u00e0 des percuteurs m\u00e9caniques. Ces derniers font vibrer les gongs-lettres en r\u00e9ponse aux d\u00e9placements des visiteur.rice.s.<\/p>\n\n\n\n

ARTS CARE is an interactive sound installation by interdisciplinary artist Jesse Stewart that will be on display in the lobby of the Sala Rossa during this concert. Aluminum letter-gongs that spell the words \u201cARTS\u201d and \u201cCARE\u201d are activated by the Adaptive Use Musical Instrument (AUMI), originally conceived by American composer, improviser, and humanitarian, Pauline Oliveros. Visitors are invited to engage with the work by moving within the field of view of an AUMI-equipped iPad that detects motion and converts it into electrical impulses that are sent to mechanical strikers that will play the letter-gongs in response to visitors\u2019 movements.<\/p>\n\n\n\n

POUR ACHETER VOTRE BILLET, C\u2019EST ICI!<\/a><\/strong><\/p>\n\n\n\n