1642, r\u00e9volution de Cromwell. Le roi Charles II est en exil en France, \u00e0 la cour de Louis XIV, son cousin germain. Il y d\u00e9couvre la musique de Versailles, qui le passionne \u00e0 tel point qu\u2019elle fera partie de ses bagages lors de son retour en Angleterre en 1660. C\u2019est dans ce contexte que de nombreux artistes fran\u00e7ais l\u2019accompagnent et viennent s\u2019installer \u00e0 Londres ; ils vont inspirer les compositeurs anglais, fascin\u00e9s par Jean-Baptiste Lully. D\u00e9bute alors une p\u00e9riode de renouveau artistique remarquable pour la musique anglaise, naturellement encline \u00e0 s\u2019enrichir de sonorit\u00e9s multiples. Il en r\u00e9sulte des cr\u00e9ations passionnantes et dynamiques, influenc\u00e9es par le m\u00e9tissage des styles. Elles refl\u00e8tent l\u2019esprit d\u2019ouverture de cette cour cosmopolite qui accueille les meilleurs artistes en provenance du continent.<\/p>\n\n\n\n
1642, Cromwell’s revolution. King Charles II was in exile in France, at the court of Louis XIV, his first cousin. There, he discovered the music of Versailles, which so fascinated him that it became part of his luggage on his return to England in 1660. It was in this context that many French artists accompanied him and settled in London, inspiring English composers fascinated by Jean-Baptiste Lully. This marked the beginning of a remarkable period of artistic renewal for English music, naturally inclined to enrich itself with multiple sonorities. The result was exciting, dynamic creations, influenced by the blending of styles. They reflect the open-mindedness of this cosmopolitan court, which welcomed the best artists from all over the continent.
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