Julie Delisle<\/strong>\u00a0est compositrice, chercheure multidisciplinaire sp\u00e9cialis\u00e9e en technologies audio et fl\u00fbtiste. Dipl\u00f4m\u00e9e de la Hochschule f\u00fcr Musik Freiburg et du Conservatoire de musique de Montr\u00e9al, titulaire d\u2019un doctorat en musicologie (PhD) de l\u2019Universit\u00e9 de Montr\u00e9al et ex-stagiaire postdoctorale au Music Perception et Cognition Laboratory (Universit\u00e9 McGill). Sa musique est teint\u00e9e par ses recherches sur le timbre instrumental et son int\u00e9r\u00eat pour le sound design, les arts martiaux chinois et les math\u00e9matiques.<\/p>\n\n\n\n <\/p>\n\n\n\n Julie Delisle is a composer, multidisciplinary researcher specializing in audio technologies and a flautist. She graduated from the Hochschule f\u00fcr Musik Freiburg and the Conservatoire de musique de Montr\u00e9al, \u00a0holds a doctorate in musicology (PhD) from the University of Montreal and is a former postdoctoral fellow at the Music Perception and Cognition Laboratory (McGill University). Her music is colored by her research into instrumental timbre and her interest in sound design, Chinese martial arts and mathematics.<\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n Ardent ex\u00e9g\u00e8te de la modalit\u00e9 acousmatique, son oeuvre est, depuis 1963, exclusivement constitu\u00e9e de pi\u00e8ces sur support qui t\u00e9moignent d\u2019un int\u00e9r\u00eat constant pour une \u00e9criture morphologique et pour les ambigu\u00eft\u00e9s entre le son et l\u2019image qu\u2019il peut susciter.<\/p>\n\n\n\n Grand Prix Mega-Hertz 2013 (Allemagne), Docteur Honoris causa de l\u2019Universit\u00e9 de Montr\u00e9al. Prix SACEM 2007 de la meilleure cr\u00e9ation contemporaine \u00e9lectroacoustique. Bourse de carri\u00e8re du Conseil des arts et des lettres du Qu\u00e9bec (2000).<\/p>\n\n\n\n De 1978 \u00e0 2004, il a partag\u00e9 ses activit\u00e9s entre la France et le Qu\u00e9bec, o\u00f9 il a enseign\u00e9 \u00e0 l\u2019Universit\u00e9 de Montr\u00e9al de 1980 \u00e0 1996. Il vit aujourd\u2019hui \u00e0 Avignon (France) et se consacre \u00e0 la composition et \u00e0 la r\u00e9flexion th\u00e9orique.<\/p>\n\n\n\n <\/p>\n\n\n\n An ardent exegete of the acousmatic modality, his work has, since 1963, consisted exclusively of pieces on support which testify to a constant interest in morphological writing and for the ambiguities between sound and the image that it can arouse.<\/p>\n\n\n\n Mega-Hertz Grand Prix 2013 (Germany), Doctor Honoris causa from the University of Montreal. SACEM 2007 Prize for best contemporary electroacoustic creation. Career scholarship from the Conseil des arts et des lettres du Qu\u00e9bec (2000).<\/p>\n\n\n\n He has received numerous distinctions for his works, including, in 1999, five first international prizes for four of his works. Recipient in 1997 of the Lynch-Staunton Prize from the Canada Council for the Arts, 1st Prize (1981) and \u201cMagisterium\u201d Prize (1988) at the Bourges International Electroacoustic Music Competition (France), Ars Electronica Prize 1992 (Austria), etc. .<\/p>\n\n\n\n From 1978 to 2004, he shared his activities between France and Quebec, where he taught at the University of Montreal from 1980 to 1996. He now lives in Avignon (France) and devotes himself to composition and theoretical reflection.<\/p>\n\n\n\n <\/p>\n\n\n\nFrancis Dhomont (fr)<\/h2>\n\n\n\n