Les mots d\u2019Emily Dickinson rencontrent une musique d’une grande s\u00e9r\u00e9nit\u00e9 et d’un grand lyrisme cr\u00e9ant une apesanteur po\u00e9tique, \u00e0 la recherche du silence dans le son. <\/p>\n\n\n\n
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Le Quatuor Bozzini, l\u2019Ensemble Dedalus, et la soprano berlinoise Peyee Chen se rencontrent pour offrir une performance m\u00e9ditative. J\u00fcrg Frey \u00e9crit des paysages sonores magistraux, calmes et vastes. Avec son oreille fine pour les couleurs, les sons et la pr\u00e9cision, il compose une musique d’une grande s\u00e9r\u00e9nit\u00e9 et d’un grand lyrisme ; une apesanteur po\u00e9tique, \u00e0 la recherche du silence dans le son. Le compositeur nous d\u00e9crit ainsi certains passages de l’\u0153uvre:\u00a0sons de la nature, nuages qui dansent, sons suspendus, passacaille et valse lente<\/em>.<\/p>\n\n\n\n <\/p>\n\n\n\n L’\u0153uvre\u00a0Grounds of Memory<\/em>\u00a0du compositeur suisse J\u00fcrg Frey, \u00e9crite pour le Quatuor Bozzini, l’Ensemble Dedalus et Peyee Chen est bas\u00e9e sur des textes d\u2019Arakida Moritake, de J\u00fcrg Frey, et d\u2019Emily Dickinson, notamment ses \u201cpo\u00e8mes-enveloppes\u201d publi\u00e9s r\u00e9cemment. Cet ouvrage,\u00a0The Gorgeous Nothing,\u00a0<\/em>comprend des fragments manuscrits, des br\u00e8ves pens\u00e9es et des \u00e9bauches de po\u00e8mes \u00e9crits \u00e0 la main sur des enveloppes usag\u00e9es sp\u00e9cialement pr\u00e9par\u00e9es pour cela, faits de mots \u00e9parses, de nuages de mots, de premi\u00e8res strophes de po\u00e8mes. Cette collection est une source libre d\u2019inspiration et constitue, avec d\u2019autres po\u00e8mes de Emily Dickinson, une base pour la composition. La s\u00e9lection de textes et de po\u00e8mes touche \u00e0 une sensibilit\u00e9 existentielle et \u00e9voque la vision d\u2019un chemin qui continue \u00e0 l\u2019infini.<\/p>\n\n\n\n <\/p>\n\n\n\n Emily Dickinson’s words meet music of great serenity and lyricism, creating a poetic weightlessness in search of silence in sound.<\/p>\n\n\n\n <\/p>\n\n\n\n Quatuor Bozzini, Ensemble Dedalus and Berlin soprano Peyee Chen come together to offer a meditative performance. J\u00fcrg Frey writes masterful soundscapes, calm and vast. With his keen ear for color, sound and precision, he composes music of great serenity and lyricism; a poetic weightlessness in search of silence in sound. The composer describes some of the work’s passages as follows: sounds of nature, dancing clouds, suspended sounds, passacaglia and slow waltz.<\/p>\n\n\n\n <\/p>\n\n\n\n Swiss composer J\u00fcrg Frey’s Grounds of Memory, written for Quatuor Bozzini, Ensemble Dedalus and Peyee Chen, is based on texts by Arakida Moritake, J\u00fcrg Frey and Emily Dickinson, notably her recently published “envelope poems”. This work, The Gorgeous Nothing, includes handwritten fragments, brief thoughts and drafts of poems written by hand on used envelopes specially prepared for the purpose, made up of scattered words, word clouds, first stanzas of poems. This collection is a free source of inspiration and, along with other poems by Emily Dickinson, forms a basis for composition. The selection of texts and poems touches on an existential sensibility, and evokes the vision of a path that continues to the present day.<\/p>\n\n\n\n <\/p>\n\n\n\n
<\/a>POUR ACHETER VOTRE BILLET, C\u2019EST ICI!<\/a><\/strong><\/p>\n\n\n\n