The December 1st concert, entitled Danses, features works full of vitality and movement. Composer Franghiz Ali-Zadeh tells us that dance is very present in her native Azerbaijan, in all the important events of life, both happy and sad. Reqs, which means dance, evokes the rhythms and inflections of Azeri dances. B\u00e9la Bart\u00f3k’s music abounds in dance motifs and bewitching rhythms; his 4th Quartet is an eloquent example. Last but not least, Claude Debussy’s unique Quartet in G, with its multiple inspirations and origins, is not tied to any one place or time. Which makes this quartet a unique work, without frontiers.<\/p>\n\n\n\n
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Le concert du 1er<\/sup>\u00a0d\u00e9cembre, intitul\u00e9\u00a0Danses, pr\u00e9sente des oeuvres pleines de vitalit\u00e9 et de mouvements. La compositrice Franghiz Ali-Zadeh nous dit que la danse est tr\u00e8s pr\u00e9sente en Azerba\u00efdjan, son pays natal, dans tous les \u00e9v\u00e9nements importants de la vie, heureux comme tristes.\u00a0Reqs<\/em>, qui signifie danse, \u00e9voque les rythmes et inflections des danses az\u00e9ries. La musique de B\u00e9la Bart\u00f3k regorge de motifs dansants et de rythmes envo\u00fbtants; son 4e quatuor en est un exemple \u00e9loquent. Enfin, l\u2019unique Quatuor en sol de Claude Debussy, avec ses inspirations\u00a0et origines multiples ne le\u00a0rattache \u00e0 aucun lieu ni temps. Ce qui fait de ce quatuor une oeuvre unique, sans fronti\u00e8re.<\/p>\n\n\n\n <\/p>\n\n\n\n
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