{"id":104535,"date":"2023-08-26T10:05:13","date_gmt":"2023-08-26T14:05:13","guid":{"rendered":"https:\/\/panm360.com\/?post_type=agenda&#038;p=104535"},"modified":"2023-08-26T10:05:30","modified_gmt":"2023-08-26T14:05:30","slug":"mutek-metropolis-2","status":"publish","type":"agenda","link":"https:\/\/panm360.com\/en\/agenda\/mutek-metropolis-2\/","title":{"rendered":"MUTEK : M\u00e9tropolis 2"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">La s\u00e9rie M\u00e9tropolis se consacre aux formes plus rythm\u00e9es et envo\u00fbtantes de musique \u00e9lectronique avec une sc\u00e9nographie dynamique. Les deux soir\u00e9es sont les meilleures options pour en profiter jusqu\u2019\u00e0 l\u2019aube tout en satisfaisant sa curiosit\u00e9 artistique : le vendredi soir est d\u00e9di\u00e9 \u00e0 la musique techno alors que le samedi s\u2019inspire des sonorit\u00e9s \u00e9lectro et house.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The M\u00e9tropolis series is dedicated to the more rhythmic and spellbinding forms of electronic music, with a dynamic scenography. The two evenings are the best way to enjoy it until dawn while satisfying your artistic curiosity: Friday night is dedicated to techno music, while Saturday is inspired by electro and house sounds.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Rich Aucoin<\/strong>&nbsp;<sup>CA<\/sup>&nbsp;\u2014&nbsp;<em>Synthetic<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Originaire d&#8217;Halifax, le musicien, auteur-compositeur, producteur et interpr\u00e8te Rich Aucoin d\u00e9bute en solo sur sc\u00e8ne en 2007 avec l&#8217;EP Personal Publication. Il s\u2019est rapidement fait un nom en associant sa musique pop ambitieuse et exploratoire \u00e0 d&#8217;impressionnants exploits d&#8217;endurance, notamment une tourn\u00e9e \u00e0 v\u00e9lo d&#8217;un oc\u00e9an \u00e0 l&#8217;autre et une autre qui impliquait plusieurs marathons de course \u00e0 pied, chacune de ces prouesses soutenant une \u0153uvre caritative diff\u00e9rente. Ainsi, avant m\u00eame la sortie de We&#8217;re All Dying to Live en 2011, son premier album complet (sur lequel figure plus de 500 invit\u00e9\u00b7e\u00b7s !), Aucoin jouissait d\u2019une r\u00e9putation d&#8217;artiste de sc\u00e8ne hautement captivant. Les albums suivants, comme Ephemeral en 2014 et Release en 2019, n&#8217;ont fait que renforcer sa renomm\u00e9e d&#8217;auteur indie-pop. En 2020, il continue de d\u00e9fier les attentes, enregistrant United States, un carnet de voyage psych\u00e9d\u00e9lique. Cet effort a \u00e9t\u00e9 suivi en 2022 par Synthetic : Season 1, le premier volume d&#8217;un quadruple album tentaculaire compos\u00e9 \u00e0 partir de la collection de synth\u00e9tiseurs rares et historiques du Centre national de musique de Calgary, o\u00f9 il \u00e9tait artiste en r\u00e9sidence. Aucoin a livr\u00e9 la suite en 2023, Synthetic &#8211; A Synth Odyssey : Season 2, sur laquelle il a de nouveau jou\u00e9 de tous les instruments, y compris 40 synth\u00e9tiseurs de la collection bas\u00e9e en Alberta.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Halifax-born musician, songwriter, producer and performer Rich Aucoin made his solo live debut in 2007 with the EP Personal Publication. He quickly made a name for himself by combining his ambitious, exploratory pop music with impressive feats of endurance, including a coast-to-coast bike tour and another that involved several running marathons, each in support of a different charity. So, even before the release of 2011&#8217;s We&#8217;re All Dying to Live, his first full-length album (featuring over 500 guests!), Aucoin enjoyed a reputation as a highly captivating live performer. Subsequent albums, such as 2014&#8217;s Ephemeral and 2019&#8217;s Release, have only strengthened his reputation as an indie-pop auteur. In 2020, he continued to defy expectations, recording United States, a psychedelic travelogue. This effort was followed in 2022 by Synthetic: Season 1, the first volume of a sprawling quadruple album composed from the collection of rare and historic synthesizers at the National Music Centre in Calgary, where he was artist-in-residence. Aucoin delivered the follow-up in 2023, Synthetic &#8211; A Synth Odyssey: Season 2, on which he again played all the instruments, including 40 synthesizers from the Alberta-based collection.<\/p>\n\n\n\n<iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/artist\/2XwFZjlnvpwnZSO8QbKErQ?utm_source=generator\" width=\"100%\" height=\"380\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Aux 88<\/strong>&nbsp;<sup>US<\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">AUX 88 a ciment\u00e9 sa place dans l&#8217;histoire pour ses contributions \u00e0 la techno et \u00e0 l&#8217;\u00e9lectro \u00e0 D\u00e9troit et dans le monde entier. Compos\u00e9 \u00e0 l&#8217;origine du producteur Tommy \u00ab Tom Tom \u00bb Hamilton et du DJ Keith \u00ab K-1 \u00bb Tucker, AUX 88 est n\u00e9 de l&#8217;engouement des protagonistes pour les rythmes futuristes de Kraftwerk et de Cybotron. Depuis sa formation en 1993, le groupe de D\u00e9troit a \u00e9t\u00e9 le fer de lance d&#8217;une r\u00e9\u00e9criture de l&#8217;\u00e9lectro-funk breakbeat des d\u00e9buts de la Motor City. Souvent appel\u00e9 techno-bass, ce style int\u00e8gre des \u00e9l\u00e9ments de l&#8217;\u00e9lectro de D\u00e9troit et de New York, de la bass music originaire de Miami et de l&#8217;aspect sombre et analogique de la techno de D\u00e9troit. Le premier album du groupe, Bass Magnetic (1993), a connu un succ\u00e8s imm\u00e9diat et les sorties suivantes, comme les EPs My AUX Mind et AUX Quadrant (1995), annoncent une renaissance de l&#8217;\u00e9lectro de D\u00e9troit. Tucker a quitt\u00e9 AUX 88 en 1995 pour se lancer en solo et le groupe est rest\u00e9 sous la responsabilit\u00e9 de Hamilton qui a continu\u00e9 l\u2019aventure Aux 88 avec l&#8217;ancien danseur William \u00ab BJ \u00bb Smith (alias Posatronix). Le duo sort Is It Man or Machine? en 1996. Apr\u00e8s le d\u00e9part de Smith en 1998, Aux 88 est devenu le projet solo de Hamilton, qui enregistre seul Xeo-Genetic en 1998, v\u00e9ritable succ\u00e8s critique et public. Un an plus tard, la compilation Electro Boogie a suivi sur !K7 Records. Smith a ensuite r\u00e9int\u00e9gr\u00e9 le groupe, tout comme Tucker qui est toujours demeur\u00e9 discr\u00e8tement dans le giron d\u2019Aux 88, de m\u00eame qu\u2019Anthony \u00ab Blak Tony \u00bb Horton. En 2005, la formation sort son troisi\u00e8me album, tout simplement intitul\u00e9 Aux 88, puis Mad Scientist (2009) et Black Tokyo (2010) suivirent dans la foul\u00e9e. Dernier en lice, Counterparts est paru en 2020. Moins prolifique sur disque depuis une d\u00e9cennie, AUX 88 se concentre de plus en plus sur les nouveaux talents, le mentorat d&#8217;artistes, la sensibilisation et l&#8217;\u00e9ducation de la communaut\u00e9, tout en inaugurant la prochaine g\u00e9n\u00e9ration d&#8217;artistes de D\u00e9troit via son propre label, Electrostatic.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">AUX 88 has cemented its place in history for its contributions to techno and electro in Detroit and around the world. Originally made up of producer Tommy &#8220;Tom Tom&#8221; Hamilton and DJ Keith &#8220;K-1&#8221; Tucker, AUX 88 grew out of the protagonists&#8217; infatuation with the futuristic rhythms of Kraftwerk and Cybotron. Since its formation in 1993, the Detroit band has spearheaded a rewriting of the breakbeat electro-funk of the Motor City&#8217;s early days. Often referred to as techno-bass, this style incorporates elements of Detroit and New York electro, Miami-based bass music and the dark, analog feel of Detroit techno. The group&#8217;s debut album, Bass Magnetic (1993), was an immediate success, and subsequent releases, such as the EPs My AUX Mind and AUX Quadrant (1995), heralded a renaissance in Detroit electro. Tucker left AUX 88 in 1995 to go solo, and the band remained under the care of Hamilton, who continued the AUX 88 adventure with former dancer William &#8220;BJ&#8221; Smith (aka Posatronix). The duo released Is It Man or Machine? in 1996. After Smith&#8217;s departure in 1998, Aux 88 became Hamilton&#8217;s solo project, and he recorded Xeo-Genetic alone in 1998, a critical and public success. A year later, the Electro Boogie compilation followed on !K7 Records. Smith then rejoined the band, as did Tucker, who remained discreetly in the Aux 88 fold, as did Anthony &#8220;Blak Tony&#8221; Horton. In 2005, the band released their third album, simply entitled Aux 88, followed by Mad Scientist (2009) and Black Tokyo (2010). The latest, Counterparts, was released in 2020. Less prolific on record over the past decade, AUX 88 is increasingly focusing on new talent, artist mentoring, community outreach and education, while ushering in the next generation of Detroit artists via its own label, Electrostatic.<\/p>\n\n\n\n<iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/artist\/3UYegZ6o9aaL2UCOQeoAgI?utm_source=generator\" width=\"100%\" height=\"380\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Eris Drew &amp; Jeisson Drenth<\/strong>&nbsp;<sup>US+NL<\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Eris Drew dirige le label T4T LUV NRG avec sa partenaire b2b Octo Octa depuis une cabane en rondins dans le New Hampshire. Drew enregistre ses productions aupr\u00e8s de son propre label, Interdimensional Transmissions (D\u00e9troit) et Naive Records (Lisbonne). Elle dirige \u00e9galement les Psychedelic Rites of the Motherbeat avec son entourage au Hot Mass de Pittsburgh et \u00e0 Room 4 Resistance \u00e0 Berlin.<br>Ses exp\u00e9riences de musicienne et de danseuse lui ont permis d\u2019entrevoir la rave comme un outil puissant pour transformer les vies individuelles et celles des communaut\u00e9s. En plus de pr\u00e9senter des conf\u00e9rences dans le monde entier sur les liens entre la culture de la musique de danse et d&#8217;autres traditions extatiques, elle d\u00e9fend la cause des personnes trans\/non-binaires\/queer et encadre des DJ et des musicien\u00b7ne\u00b7s \u00e9lectroniques en d\u00e9but de carri\u00e8re.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Eris Drew runs the T4T LUV NRG label with her b2b partner Octo Octa from a log cabin in New Hampshire. Drew records with her own label, Interdimensional Transmissions (Detroit) and Naive Records (Lisbon). She also runs the Psychedelic Rites of the Motherbeat with her entourage at Hot Mass in Pittsburgh and Room 4 Resistance in Berlin.<br>Her experiences as a musician and dancer have enabled her to see rave as a powerful tool for transforming individual lives and communities. As well as lecturing around the world on the links between dance music culture and other ecstatic traditions, she is an advocate for trans\/non-binary\/queer people and mentors emerging DJs and electronic musicians.<\/p>\n\n\n\n<iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/artist\/4VKbZ8lm0Bm1AbtzAbBdpO?utm_source=generator\" width=\"100%\" height=\"380\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Cinthie<\/strong>&nbsp;<sup>DE<\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Propri\u00e9taire de la boutique de vinyles Elevate, fondatrice des labels we_r house et 803 Crystal Grooves (et du sous-label Collective Cuts), DJ et productrice : Cinthie compte parmi les personnalit\u00e9s les plus en vue de la sc\u00e8ne house berlinoise. Initi\u00e9e \u00e0 la musique d\u2019artistes tels que Steve \u201cSilk\u201d Hurley et WestBam d\u00e8s son enfance, Cinthie se plonge rapidement dans l\u2019univers de la house et de la techno, orchestrant ses premiers DJ sets dans les ann\u00e9es 1990 alors qu\u2019elle est adolescente. L\u2019unicit\u00e9 de son approche en tant que DJ et l\u2019\u00e9tendue de ses connaissances musicales lui vaudront la reconnaissance de nombreuses l\u00e9gendes qu\u2019elle \u00e9coute assid\u00fbment au cours de sa jeunesse pass\u00e9e \u00e0 Chicago et \u00e0 D\u00e9troit, tout comme les figures de proue des sc\u00e8nes house et techno actuelles. Traversant une large gamme de genres musicaux, ses productions comme ses DJ sets englobent l\u2019\u00e9tendue de la musique \u00e9lectronique en s\u2019appuyant largement sur les vinyles qu\u2019elle collectionne avec z\u00e8le.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Owner of the Elevate vinyl store, founder of the we_r house and 803 Crystal Grooves labels (and of the Collective Cuts sub-label), DJ and producer: Cinthie is one of the most prominent figures on the Berlin house scene. Introduced to the music of artists such as Steve &#8220;Silk&#8221; Hurley and WestBam as a child, Cinthie quickly immersed herself in the world of house and techno, orchestrating her first DJ sets as a teenager in the 1990s. The uniqueness of her approach as a DJ and the breadth of her musical knowledge earned her the recognition of many of the legends she listened to assiduously during her youth spent in Chicago and Detroit, as well as the leading figures of today&#8217;s house and techno scenes. Traversing a wide range of musical genres, her productions and DJ sets encompass the breadth of electronic music, relying heavily on the vinyl she zealously collects.<\/p>\n\n\n\n<iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/artist\/764H8zG8sTf5FPHWHW5bvh?utm_source=generator\" width=\"100%\" height=\"380\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Jennifer Cardini<\/strong>&nbsp;<sup>FR\/DE<\/sup><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La ni\u00e7oise Jennifer Cardini s&#8217;int\u00e9resse \u00e0 la musique \u00e9lectronique \u00e0 l&#8217;adolescence, influenc\u00e9e d\u2019abord par la new-wave ainsi que par l\u2019\u00e9mergence des musiques de Chicago et de Detroit. Ayant commenc\u00e9 \u00e0 mixer d\u00e8s 1992, elle s&#8217;installe \u00e0 Paris en 1998 et devient DJ r\u00e9sidente du Pulp, avant d\u2019\u00eatre ensuite sollicit\u00e9e par le Rex Club, entre autres. Apr\u00e8s la parution de quelques 12 pouces, elle sort le maxi Don\u2019t Stay en 2005 avec le producteur Laurent H\u00f4 sur Cross Town Rebels. Un second EP, August in Paris, est lanc\u00e9 l\u2019ann\u00e9e suivante sur Mobilee. D\u2019autres EP\u2019s para\u00eetront sur Mobilee ou encore chez Kill The DJ, sous le pseudo Jennygoesdirty. Suite \u00e0 son d\u00e9m\u00e9nagement \u00e0 Cologne, Cardini est devenue la premi\u00e8re femme \u00e0 signer chez Kompakt avec la sortie de Feeling Strange en 2008. En 2011, elle d\u00e9marre le label CORRESPONDANT (\u00e9lectro, house), puis, une fois install\u00e9e \u00e0 Berlin, co-fonde Dischi Autunno (Italo disco, underground techno, \u00e9lectro) en 2017. F\u00e6ries, son tout nouveau label, se veut ouvert \u00e0 toute la jeune sc\u00e8ne artistique transdisciplinaire et post-genre. Bien qu&#8217;elle ait sorti de temps \u00e0 autre quelques 12 pouces et remixes, ou assur\u00e9 r\u00e9guli\u00e8rement la coordination musicale des d\u00e9fil\u00e9s de mode pour Ami ou Kenzo, sa r\u00e9putation s&#8217;est surtout forg\u00e9e gr\u00e2ce \u00e0 ses talents de DJ. Sa philosophie du dancefloor se refl\u00e8te non seulement dans ses sets et dans la musique publi\u00e9e sur ses labels, mais aussi dans son engagement en faveur de la communaut\u00e9 LGBTQIA2S+. Championne de l&#8217;\u00e9lectro, de la house, du disco et de la techno minimale, Jennifer Cardini est depuis longtemps associ\u00e9e aux nuits fauves des clubs et festivals les plus prestigieux de la plan\u00e8te.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Jennifer Cardini from Nice became interested in electronic music as a teenager, influenced initially by new-wave and the emergence of Chicago and Detroit music. Having started mixing in 1992, she moved to Paris in 1998 and became resident DJ at Pulp, before being called upon by Rex Club, among others. After releasing a number of 12-inch tracks, she went on to release the Don&#8217;t Stay EP in 2005 with producer Laurent H\u00f4 on Cross Town Rebels. A second EP, August in Paris, was released the following year on Mobilee. Further EP&#8217;s were released on Mobilee and Kill The DJ, under the pseudonym Jennygoesdirty. Following her move to Cologne, Cardini became the first woman to sign to Kompakt with the release of Feeling Strange in 2008. In 2011, she started the CORRESPONDANT label (electro, house), then, once settled in Berlin, co-founded Dischi Autunno (Italo disco, underground techno, electro) in 2017. F\u00e6ries, her brand-new label, aims to be open to the entire young transdisciplinary and post-genre artistic scene. Although she has released the occasional 12-inch and remix, or regularly provided musical coordination for fashion shows for Ami or Kenzo, her reputation has been forged above all by her talents as a DJ. Her dancefloor philosophy is reflected not only in her sets and the music released on her labels, but also in her commitment to the LGBTQIA2S+ community. A champion of electro, house, disco and minimal techno, Jennifer Cardini has long been associated with the wild nights of the world&#8217;s most prestigious clubs and festivals.<\/p>\n\n\n\n<iframe style=\"border-radius:12px\" src=\"https:\/\/open.spotify.com\/embed\/artist\/3AN049igIAaoX0fjTCkpnf?utm_source=generator\" width=\"100%\" height=\"380\" frameBorder=\"0\" allowfullscreen=\"\" allow=\"autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture\" loading=\"lazy\"><\/iframe>\n\n\n\n<p class=\"wp-block-paragraph\"><strong><a href=\"https:\/\/www.ticketmaster.ca\/event\/31005EA5A0642768?lang=fr-ca&amp;brand=evenko\">POUR ACHETER VOTRE BILLET, C\u2019EST ICI!<\/a><\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em><strong>Ce contenu provient de MUTEK et est adapt\u00e9 par PAN M 360.<\/strong><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>La s\u00e9rie M\u00e9tropolis se consacre aux formes plus rythm\u00e9es et envo\u00fbtantes de musique \u00e9lectronique avec une sc\u00e9nographie dynamique. Les deux soir\u00e9es sont les meilleures options pour en profiter jusqu\u2019\u00e0 l\u2019aube tout en satisfaisant sa curiosit\u00e9 artistique : le vendredi soir est d\u00e9di\u00e9 \u00e0 la musique techno alors que le samedi s\u2019inspire des sonorit\u00e9s \u00e9lectro et [&hellip;]<\/p>\n","protected":false},"author":936,"featured_media":104534,"menu_order":0,"template":"","format":"standard","meta":{"_acf_changed":false,"_crdt_document":""},"categories":[4322],"tags":[],"generale":[3814],"genre":[3155],"pays":[3828,3829,3827],"salle":[7029],"ville":[7246],"class_list":["post-104535","agenda","type-agenda","status-publish","format-standard","has-post-thumbnail","hentry","category-listings-360","generale-lire-en","genre-electronic","pays-canada-en","pays-france-en","pays-united-states","salle-mtelus-en","ville-montreal-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>MUTEK : M\u00e9tropolis 2 - PAN M 360<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/panm360.com\/en\/agenda\/mutek-metropolis-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"MUTEK : M\u00e9tropolis 2 - PAN M 360\" \/>\n<meta property=\"og:description\" content=\"La s\u00e9rie M\u00e9tropolis se consacre aux formes plus rythm\u00e9es et envo\u00fbtantes de musique \u00e9lectronique avec une sc\u00e9nographie dynamique. 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