{"version":"1.0","provider_name":"PAN M 360","provider_url":"https:\/\/panm360.com\/en\/","author_name":"Alain Brunet","author_url":"https:\/\/panm360.com\/en\/author\/alainbrunet\/","title":"Akousma | Olivier Alary, from Bj\u00f6rk to AI - PAN M 360","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"FIxve96Qzq\"><a href=\"https:\/\/panm360.com\/en\/interviews-panm360\/akousma-olivier-alary-de-bjork-a-lia\/\">Akousma | Olivier Alary, from Bj\u00f6rk to AI<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/panm360.com\/en\/interviews-panm360\/akousma-olivier-alary-de-bjork-a-lia\/embed\/#?secret=FIxve96Qzq\" width=\"600\" height=\"338\" title=\"&#8220;Akousma | Olivier Alary, from Bj\u00f6rk to AI&#8221; &#8212; PAN M 360\" data-secret=\"FIxve96Qzq\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/panm360.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/panm360.com\/wp-content\/uploads\/2024\/10\/Olivier-Alary-1.jpg","thumbnail_width":750,"thumbnail_height":750,"description":"Toulouse-born composer, electronic producer and sound architecture researcher Olivier Alary has been living in Montreal for the past 23 years, unknown to many, exploring the \u201cgray areas between music and instrumental composition, between music and noise\u201d. Over the past ten years, he has composed the soundtracks for several feature-length and short films. Alongside his film [&hellip;]"}