{"version":"1.0","provider_name":"PAN M 360","provider_url":"https:\/\/panm360.com\/en\/","author_name":"R\u00e9daction PAN M 360","author_url":"https:\/\/panm360.com\/en\/author\/redactionpanm360\/","title":"Orchestre M\u00e9tropolitain: \u00e9l\u00e9gance \u00e0 la Kerson Leong - PAN M 360","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"4JHd9TVPDq\"><a href=\"https:\/\/panm360.com\/en\/agenda\/elegance-a-la-kerson-leong\/\">Orchestre M\u00e9tropolitain: \u00e9l\u00e9gance \u00e0 la Kerson Leong<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/panm360.com\/en\/agenda\/elegance-a-la-kerson-leong\/embed\/#?secret=4JHd9TVPDq\" width=\"600\" height=\"338\" title=\"&#8220;Orchestre M\u00e9tropolitain: \u00e9l\u00e9gance \u00e0 la Kerson Leong&#8221; &#8212; PAN M 360\" data-secret=\"4JHd9TVPDq\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/panm360.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"La suite du&nbsp;Chevalier \u00e0 la rose&nbsp;de Strauss r\u00eave d\u2019une Vienne classique o\u00f9 r\u00e8gnent valse, \u00e9l\u00e9gance et na\u00efvet\u00e9. Le violon solo de Tcha\u00efkovski, tant\u00f4t chantant, tant\u00f4t virtuose et tant\u00f4t folklorique, donne au soliste Kerson Leong un terrain de jeu formidable. Sous la direction d\u2019Alexander Shelley,&nbsp;My Name Is Amanda Todd&nbsp;de la compositrice canadienne Jocelyn Morlock porte le [&hellip;]","thumbnail_url":"https:\/\/panm360.com\/wp-content\/uploads\/2023\/04\/Kerson-Leong13-3.jpg","thumbnail_width":2000,"thumbnail_height":1334}