1.0PAN M 360https://panm360.com/en/Benjamin Fabrehttps://panm360.com/en/author/benjaminfabre/rich600338<blockquote class="wp-embedded-content" data-secret="Mf6vtEbutK"><a href="https://panm360.com/en/records/keluar/">Keluar</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://panm360.com/en/records/keluar/embed/#?secret=Mf6vtEbutK" width="600" height="338" title="“Keluar” — PAN M 360" data-secret="Mf6vtEbutK" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://panm360.com/wp-includes/js/wp-embed.min.js /* ]]> */ </script> The past decade has witnessed the smashing return of EBM (Electronic Body Music). The dark and angry subgenre of electronic music has indeed regained prominence on the industrial scene, and Keluar’s LP is a perfect example. A brilliant blend of EBM codes and all the modern elements of darkwave, the pieces presented on this effort […]