1.0PAN M 360https://panm360.com/en/Rupert Bottenberghttps://panm360.com/en/author/rupertbottenberg/rich600338<blockquote class="wp-embedded-content" data-secret="JgbmQOcRZB"><a href="https://panm360.com/en/records/fondue-party/">Fondue Party</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://panm360.com/en/records/fondue-party/embed/#?secret=JgbmQOcRZB" width="600" height="338" title="“Fondue Party” — PAN M 360" data-secret="JgbmQOcRZB" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://panm360.com/wp-includes/js/wp-embed.min.js /* ]]> */ </script> https://panm360.com/wp-content/uploads/2020/12/Polyrhythmics-Fondue-Party.jpg12001200Back in May of this year, Seattle octet Polyrhythmics put out the album Man From the Future, a set of diversified excursions into funky music, tooled to high standards but with an elevated energy level. The future is here now, such as it is, and the band follows up that album with five tracks from […]