1.0PAN M 360https://panm360.com/en/Alain Brunethttps://panm360.com/en/author/alainbrunet/rich600338<blockquote class="wp-embedded-content" data-secret="Y28I2lsBmD"><a href="https://panm360.com/en/records/animism/">Animism</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://panm360.com/en/records/animism/embed/#?secret=Y28I2lsBmD" width="600" height="338" title="“Animism” — PAN M 360" data-secret="Y28I2lsBmD" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://panm360.com/wp-includes/js/wp-embed.min.js /* ]]> */ </script> https://panm360.com/wp-content/uploads/2019/12/Tanya-Tagaq-Animism.jpg500500She embodies the distant past of a traditional society, she carries within herself its colonialist fractures, its challenges and hopes for the present, she imagines its sensual dives into the future. Should Tanya Tagaq Gillis be considered the Inuk artist par excellence of this concluding decade? Ask the question… Throat singing, contemporary jazz, free improvisation, […]