1.0PAN M 360https://panm360.com/en/Michel Rondeauhttps://panm360.com/en/author/michelrondeau/rich600338<blockquote class="wp-embedded-content" data-secret="FKcXxuethU"><a href="https://panm360.com/en/records/agora/">Agora</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://panm360.com/en/records/agora/embed/#?secret=FKcXxuethU" width="600" height="338" title="“Agora” — PAN M 360" data-secret="FKcXxuethU" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script> /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://panm360.com/wp-includes/js/wp-embed.min.js </script> https://panm360.com/wp-content/uploads/2019/12/Fennesz-Agora.jpg12001200For more than 20 years, the Viennese Fennesz has been enviably positioned on the ambient scene. His signature is immediately recognizable by the rich and vaporous sound layers he superimposes and shreds, the electric guitar chords he passes through all manner of filters, and his saturation effects, sometimes so intense that, as with Basinski’s Disintegration […]