Contemporary
Album review Classical/classique 2022
Anders Eliasson – Symphonies nos 3 & 4/Trombone Concerto
By Frédéric Cardin
Album review Classical/classique 2022
Ice Land : The Eternal Music – Saevarsson, Leifs, Thorvaldsdottir
By Frédéric Cardin
Interview Pop/Classical/classique/Electronic/expérimental / contemporain/Experimental / Contemporary/Rock
Bell Orchestre, in Symphony with the OSM
By Alain Brunet
Album review Rock/Classical/classique/Jazz/expérimental / contemporain/Experimental / Contemporary 2021
Aquaserge – The Possibility of a New Work for Aquaserge
By Luc Marchessault
Album review expérimental / contemporain/classique/Classical 2021
ALARM WILL SOUND/TYSHAWN SOREY – FOR GEORGE LEWIS
By Frédéric Cardin
Album review Classical/classique/Sacred Music
Helsinki Chamber Choir / Nils Schweckendiek – Pärt: Passio
By Luc Marchessault
Interview classique/Classical/Jazz
Philippe Côté, Marc Copland, Saguenay String Quartet: Connected Universes
By Alain Brunet
Interview expérimental / contemporain/Rock/Classical/classique/Electronic
Suuns: Witnessing, one by one
By Alain Brunet
Interview Classical/classique/Indigenous peoples/Folk/Americana
Frames of Reference: Indigenous Voices in the Mix
By Alain Brunet
Interview expérimental / contemporain/classique/Classical
THE MOST FASCINATING QUEBEC ARTIST YOU (PROBABLY) DON’T KNOW
By Frédéric Cardin
Album review classique/Classical 2021
Ensemble Paramirabo / Music of François Tousignant
By Frédéric Cardin
Interview expérimental / contemporain/Pop/Rock/Classical/classique
Undrum this, conventional music-making!
By Frédéric Cardin
Album review Classical/classique 2021