Classical Baroque / Choral Music / Classical Singing / Modern Classical / Contemporary / Electroacoustic / Minimalist / Early Music / Neoclassical / Opera / Contemporary Opera / Post-Minimalist / Romantic / Classical Period / Renaissance / Renaissance music / musique de chambre / post-romantique / musique contemporaine / période romantique / Chamber Music
Interview classique/Classical/Pop
Festival Classica: Shining light on the Dark Side with Simon Fournier
By Varun Swarup
Interview classique/Classical
Festival Classica: inauguration of the Nouvel Opéra Métropolitain with L’Homme qui rit
By Alexandre Villemaire
Interview Classical/classique
Michael Riesman and the Philip Glass Ensemble : maximum pleasure
By Frédéric Cardin
Interview expérimental / contemporain/Classical/classique
Nicole Lizée : Folk Noir and other Sci-Fi stories
By Frédéric Cardin
Album review Electronic/Classical/classique/expérimental / contemporain
Ozmotic & Fennez – Senzatempo
By Théo Reinhardt
Interview Jazz/Classical/classique
GoGo Penguin starts a new chapter with ‘Everything Is Going to Be OK’
By Varun Swarup
Album review Classical/classique/expérimental / contemporain 2023
Jason Doell – Becoming in Shadows ~ Of Being Touched
By Varun Swarup
Interview classique/Classical
Concours musical international de Montréal 2023 – The penultimate stretch of finalists (Part 2)
By Alexandre Villemaire
Interview classique/Classical
Concours musical international de Montréal 2023 – the penultimate stretch of finalists (Part 1)
By Alexandre Villemaire
Album review expérimental / contemporain/Classical/classique/Rock 2023
Milanku – À l’aube
By Louise Jaunet
Interview Classical/classique/expérimental / contemporain
Bekah Simms: beautiful and disturbing expressiveness
By Alain Brunet
Interview classique/Classical
Thomas Bangalter and symphonic writing for ballet… without helmet and without safety net
By Alain Brunet
Album review Classical/classique 2023
Vincent Boilard et Quatuor Molinari – Lumières nordiques
By Elena Mandolini
Album review Pop/Electronic/Classical/classique/Progressive Folk 2023
N Nao – L’eau et les rêves
By Alain Brunet
Interview Classical/classique
L’Ensemble ArtChoral & Matthias Maute and the path of Late Baroque
By Elena Mandolini
Interview Africa/classique/Traditional
Derek Gripper plays at Balattou : occidental classical guitar, African classical guitar
By Alain Brunet
Album review classique/Classical 2023
Stéphane Tétreault & Olivier Hébert-Bouchard – Images oubliées
By Jean-Frédéric Hénault-Rondeau
Album review Classical/classique 2023
ArtChoral, Matthias Maute, Dorothéa Ventura – Art Choral vol. 3 – Baroque II
By Alexandre Villemaire
Interview Classical/classique
Closing of Semaine du Neuf : Paramirabo plays Paramirabo and more
By Alain Brunet
Interview classique
Week of the Nine: Chœur Temps Fort performs Claude Vivier’s Journal
By Jean-Frédéric Hénault-Rondeau
Column classique/Classical/Rock