Ambient Instrumental
Album review Electronic/Rock/Experimental / Contemporary/expérimental / contemporain/Classical/classique 2020
Vertigo KO
By Alain Brunet
Album review Electronic/Classical/classique/Experimental / Contemporary/expérimental / contemporain 2020
Unearth
By Réjean Beaucage
Interview Electronic/Experimental / Contemporary/expérimental / contemporain
Vigliensoni: Clastic fantastic
By Patrick Baillargeon
Interview Electronic/expérimental / contemporain/Experimental / Contemporary
Tati au Miel: Super noise
By Alain Brunet
Interview Electronic/expérimental / contemporain/Experimental / Contemporary
Alexis Langevin-Tétrault: Hypercubist
By Alain Brunet
What to watch Electronic/Classical/classique
Diplo: “MMXX (Album Continuous Mix)”
By Rupert Bottenberg
Interview Electronic/Indigenous peoples/Soul/R&B/Pop
Anachnid: The spider that fell from the sky
By Louise Jaunet
What to watch Electronic/Experimental / Contemporary/expérimental / contemporain
EXCLUSIVE: Arashkha’s “Hikikomori Watching Outside”
By Alex Labonté
Album review Electronic/Jazz/expérimental / contemporain 2020
Seeing Through Sound (Pentimento Volume Two)
By Michel Rondeau
Dossier Africa/latino/Electronic/Pop/Rock/expérimental / contemporain/Indigenous peoples/Americana/Soul/R&B/Hip Hop/Jazz/Experimental / Contemporary/South-East Asian
Polaris Short List 2020 vs PAN M 360’s Short List
By Staff
Interview Electronic/Classical/classique/expérimental / contemporain/Rock
Julianna Barwick: A river less still than it seems
By Alain Brunet
Album review Electronic/Classical/classique/expérimental / contemporain/Rock 2020
Healing Is a Miracle
By Alain Brunet
Interview Electronic/expérimental / contemporain